Thank you, Richie Billing, for such a wealth of fantasy writing resources, including this fantastic, detailed article, “Medieval Castles: A Complete Guide.” Just what I was looking for as I write my contemporary fantasy set in a well-preserved fortification in the Scottish Highlands, shaped like a dragon’s footprint… from a dragon’s-eye view…
Like you, my fellow writers, I’m careful about subscribing to newsletters to avoid being inundated with content I don’t need. I’m not claiming to be successful, but I have managed to limit the noise so the good stuff grabs my attention. I thought I would pass along a few of my favorites from today:
This is the epic annual chat where I get to reflect on the year with my great writing friend, Nicolas Lemieux. Yay! Welcome back to our dual platform, Nicolas. How about we start with introductions and a brief summary of our year in writing, then dive deeper into the highlights?
Read in French – Nicolas has kindly translated our discussion. Thanks so much Nicolas!
First! Let’s Meet the Authors
Nicolas Lemieux
Nicolas lives in Montréal with his wife, Marie-Claude, in a third-floor apartment overlooking a charming green alley. Although French is his first language, he prefers to write in English.
His chosen genre is Science Fiction, where he gets his kicks dreaming up astonishing worlds filled with a sharp palette of badass, quirky characters who get tangled up in all kinds of meaningful trouble. Often funny, sometimes disquieting, always exciting.
Nicolas believes that each time you dive into a good book, you come out better off at the other end because you’ve gained a new, bright spark that will stick with you until the end of time, helping you fend off the pits and falls that might have consumed you otherwise.
As Nicolas works on his novel, Seven Drifts, which features a drifting city spaceship, a wannabe sleuth, murders, a brewing rebellion, and an antique wooden treasure chest, he enjoys blogging about books and his writing life while sharing glimpses into the world of Seven Drifts, including through his free story, DRIFT & CRADLE.
D. L. Lewellyn
D.L.’s unexpected passion for writing ignited in 2020 after a summer of avid, lockdown-induced reading in her favorite genre, paranormal romance.
In addition to self-publishing her series, The Starlight Chronicles, her stories have appeared in anthologies. More novels are on the way. No surprise there. Anyone who knows her will tell you she’s a dedicated multi-crafter. Take a peek inside her colorful, cluttered studio, and you’ll see it for yourself.
She also enjoys blogging about writing and interviewing fellow authors. Her downtime includes lots of reading and sharing popcorn while watching movies or Formula 1 racing with her husband. When they aren’t being couch potatoes, they’re walking the northern Nevada high desert with their rescued fur babies.
Let’s Get Started
Okay, Nicolas, how about you go first? What was your 2025 like?
NL: All year round, I’ve been deep inside the world of my novel, Seven Drifts, and what a wild ride it’s turning out to be! The story is set on a former starship that was damaged, stranded, and, for better or for worse, turned into a long stack of gigantic O’Neill cylinders. It is a politically complex place of varying gravity conditions, led by a benevolent-looking villain, Mayor Larocque, who compels his people into a way of life he calls Driftism. I’m having a ton of fun with the characters, from the failed botanist but passionate amateur sleuth Anita to the trumpeter Blake, who is slated to write the true story of their rebel crew, to Leona, the great-granddaughter of an infamous architect.
Honestly, the writing process itself is one great source of happiness (and growth), and I know you feel the same way about yours. I love how it forces me to dwell in my solution-seeking mode, as we discussed in our emails. It’s a compelling challenge; always worth it!
To make things interesting, let me throw out a few topics a reader of our conversation might want to playfully toss somewhere at the back of their mind as they read on…
What are the three distinct gravity conditions mentioned in Seven Drifts, and what are they associated with?
Could there be characters in the story who aren’t really called “folk” at all?
An antique treasure chest is bequeathed to someone in the story. In your opinion, who could it have belonged to?
Who is Baba?
Do people in Seven use such things as GPUs and VR?
What kind of propulsion drive might Seven have used before it was damaged?
What was the name of Leona’s late great-grandfather?
What specific goal does the narrator, Blake, pursue in the novel Seven Drifts?
It’s an exciting time for me, as the manuscript is finally mostly in place. I’ve gained confidence in my structural choices, realizing that an introductory set of chapters can work just fine if they are beautiful and fascinating enough to hook the reader. I can’t wait to share these characters, this world I’ve created, and that crazy, quirky, action-packed story. Now, let’s dive into the specifics!
DLL: I have totally felt your joy in what you’ve accomplished this year in Seven Drifts. It’s a huge project, and making those structural tweaks and feeling those “aha” moments must have been awesome. I can’t wait to dive into it as a reader.
It always amazes me how each year ends with events that surpass the previous one, even though I often think a year can’t possibly have more going on or more to learn–and yes, I’m still learning tons in my 6th decade. This year, while I wouldn’t necessarily lump all the happenings into highlights, learning definitely played a role. My biggest takeaway is never to take anything for granted.
After retiring early in 2023 to focus on writing full-time, I was given nearly two years of that privilege. But early this year, cancer struck twice in my family: first me, then my sister. We started chemotherapy a day apart and lost our hair together. I realized how much I had taken my health and family for granted.
Her situation is much more serious; her treatments focus on giving her as much time as possible, and we’re hoping for at least a year. My treatments are meant to keep the cancer at bay, and while I’m grateful for that, I would give anything if the same could be said for my sister.
While this was all going on, I had to face that I’d also taken democracy for granted–a truth more bitter to swallow each day. Watching the hatred promoted by our bumbling leaders in a reality TV-style government only makes personal challenges even harder.
So, what does someone do when life presents what feels like impossible obstacles that are mostly beyond their control? My answer is to write every day and make time to talk to my sister.
The second thing I learned is that having a passion to lose yourself in—one of those joys that makes you want to wake up in the morning—even to face a chemo treatment or another loss to democracy—restores the good things in life. I came to this realization by making this year about having fun with my characters and scenes in three new novels—yes, three—that darn multitasking gene—and that’s in addition to the six I already have going. While I haven’t finished a single one, I’ve written probably as many words this year as my 320,000-word series.
That simply means I found the joy of writing again while also spending a great deal of time promoting my already published novels. That effort has paid off, and I’ll discuss why later. I also returned to voracious reading, which is what launched me into this writing journey five years ago. I’ve decided that reading is equally part of the joy and the best way to become a better writer. I’ll share my favorite authors from this year’s reading list. I’ve reached 74 books in a 50-book goal, and the year’s not finished!
Other highlights include launching my new BookBub website, attending a super fun writing retreat, adding my books to Audible via Amazon’s Virtual Voice Studio, and splurging on Grammarly Pro for editing support. More on this later.
Let’s get into the Writing Process
Nicolas and I really enjoy looking back on our emails after a year of correspondence and finding that we had tons of insightful things to say about our writing process that we forgot about as the year progressed.
Here’s us airing out a little about writing ourselves into a corner while we face life’s challenges.
DLL: Writing is my solace. And as I escape each day into my current novel, I’m encouraged with my progress… except that I’m still working on the mechanics of my plot. Dang those plots. That’s the most challenging part for me–thousands of words of great scenes, and everything is moving forward, but once again, I’m writing myself into a corner, LOL. At least coming up with solutions occupies my dreams so I can sleep.
NL: First off, let me tell you how much I admire your courage and resiliency in your approach to your current predicament (and I apologize for the clichés). The truth is, I have no idea how I’d fare myself, faced with the same reality. But from where I stand, I can only say “I’m here, offering my good vibes.” I’m so happy that you’re doing better now and that you’re on the recovery track.
Congratulations on making such good progress! This many words is a body of work to contend with. Isn’t it the best? You write yourself into a corner, and then your creative brain takes over – in its own time – to find solutions you wouldn’t have dreamt of in your waking time. Often, these solutions turn out to be precisely what makes your story unique, personal, human, and truly you; exactly what makes it irresistible and relatable. I find solace in writing as well. I’ve been all over the place in my novel Seven Drifts, moving scenes around and generally making parts of it a lot better. I enjoy how it forces me to dwell in my solution-seeking mode, even though I am often overwhelmed by how long this challenging process takes. Sometimes it helps me sleep, other times not.
During a creative dry spell this summer, I reread my first story (Tides of Cath), and it was nice to go back to the first spark that ignited the rest of the project. It’s the story I wrote first but haven’t finished yet. It takes place centuries after the one I’m finishing now, though, so it seemed only logical to work on the prequel story first. But going back to ToC really got my creative juices bubbling up again. I found it super encouraging, actually. I had no notion of scene structure and whatnot back then, but geez, I think the story works just as well. Maybe even better, I don’t know; as if I was relying on my instincts more when I wrote these pages, and I don’t know why, but I really like how they flow. So it gives me even more incentive to work hard and finish Seven Drifts so I can go on and work on Tides of Cath again.
DLL: Wow! This is so inspiring, Nicolas. I can also relate to relooking at earlier work and often wonder if I’ve given up some of my spontaneity in my writing. For my part, I seem to be constantly in editing mode and worry about overdoing it. That could have something to do with Grammarly Pro. I couldn’t resist a half-off offer on Black Friday last year, and it truly is like having a professional editor on my payroll. However, that editor is also constantly riding my shoulder, slowing my writing every time I stop to see if I can write what’s being flagged better. I mention this AI writing tool briefly as both a pro and a con. But the pro outweighs the con for me, as it has helped me become a better writer.
Back to spontaneity, I didn’t go at my first novels with any kind of coherence, just pure gut instinct, which left holes while somehow also managing to get a story out. Always shocks me when I look back at how much fun I had writing that way. I think this is why I’m having a hard time finishing another novel. I’m not using pure instinct to tell a story. Instead, I’m swamped with too many techniques learned since then that are stifling me. I’ve sort of lost my voice. I miss the old days. I laugh at myself because this is always how I learn to do new things, just throw something out in the world based on pure creative juices, with holes, imperfections, and all. Then, I reverse engineer. Part of that process lately has been reading authors I love and figuring out why I love their storytelling. Still, it’s all part of the passion, right?
NL: Pure instinct: I like these words. That’s how I operated at first, when I wrote a large chunk of the first draft of Tides of Cath, and I can feel it when I read it again. I hope some of it is still there in 7D – I’ll have to trust in the process for that. Funny thing, I experienced the same with singing. At first, it felt natural and easy, even gratifying, until I took voice lessons with various teachers and coaches. Then, for a while (I mean, years), singing became complicated and hard, nerve-racking, almost an impossible dream. But eventually, it became more natural again, in a different way, and more satisfying – but still kind of nerve-racking, but for larger reasons (I mean audiences) and sometimes, downright terrorizing. But it’s the middle part I want to go for, the “more natural and more satisfying”. It’s like once we start learning the ropes, it becomes harder to reconnect all the techniques and knowledge with our first, primordial impulse to create. To reconnect our busy head with our soaring heart takes time and patience, but we get there eventually. Some days, I feel like I need to act like a “bad student” to find that connection again. I need to ignore what I know and deliberately seek the flow without thinking, and to Hell with the technique and everything I’ve been told. Sometimes I find it helps uncover that nugget of truth, or touch that magical feeling of “something appearing out of nothingness” I enjoy so much. Reconnecting with other art forms, such as music, or with other authors, is also a great way to find that connection again. (More on this later.)
Writing Quests
DLL: So, Nicolas, while I was busy writing and undergoing cancer treatments this year, I added a few quests along the way (why not, right?), which I got to share with you in real time. One was switching virtual audio book platforms from Google to Audible. Producing even virtual audiobooks is a cumbersome task, but it felt like an accomplishment to finish all five books! Both have awesome features, both are free to authors (my only reason for doing them instead of hiring actors), but only one reaches the audience (as usual): Amazon. Still, I haven’t sold any audiobooks since my initial launch, and I’ve received no feedback from the few who purchased them. I suspect AI audiobooks are not readers’ preferred format. We talked about the pros and cons of AI voices vs. real actors. I think most are obvious. There’s nothing like real emotion and inflection to tell a story. Obviously, actors are on my bucket list for the future of my series. Your thoughts?
NL: Thanks for the audiobook of Priss’s story! I listened to the first one and enjoyed it very much! That virtual voice is just out of this world, I almost forget it’s not a real human reading to me – so much so that it’s a bit uncanny when I think about it. Now, if I had a choice between a human-read book and an AI-read one, I’d go with the real human voice for sure, as I’d know I’m supporting the work of a real artist, and it would be easier to identify and connect emotionally when listening to a human being. But for ease and affordability, I can understand people settling for the next best thing once in a while.
DLL: I really appreciate you listening to Priss Starwillow and sharing your thoughts, Nicolas. It’s so helpful. And yes, connecting emotionally is definitely the piece that is missing, even with the uncanny voices. Sigh… One day, if I can win a contest with a cash prize, I’ll splurge. I would love readers to enjoy my series on audio.
Another quest this year was attending my first writing retreat with local authors in the wonderful historic town of Virginia City, at a fabulous, haunted Victorian hospital-turned-art center. A local Reno writer, Kim Harnes, hosts these each year, doing all the labor for the cost of the retreat. We had some great classes with fellow attendees, including an agent we practiced pitching our stories to. Check out the fun highlights in my blog. I highly recommend attending workshops and retreats.
NL: I haven’t attended a writing retreat myself so far, but I have no trouble seeing how that learning and pitching process, though intimidating, would be an exciting time for me as it was for you, and I’m sure it would benefit me in all kinds of ways! Back at the end of 2024, I enrolled in QWF (Quebec Writers Federation), but along with my day job and my writing project, I guess it turned out to be one too many things to do, so I ended up attending only one of their multiple online events. I have no doubt I would enjoy and benefit from attempting something similar again in the future, or, better yet, something more punctual, in-person, and intensive, like the retreat you attended.
DLL: QWF sounds like a valuable organization, and it’s great to connect with local groups to explore unique outreach opportunities within our communities, i.e., book fairs and conventions, which I really want to do. But becoming a writer during Covid sort of set me off on the recluse path, promoting from afar (i.e., social media). After meeting many local writers at the retreat, I decided to dedicate this summer to interviewing them. As a result, I had some fascinating guests on my Spotlight, and through them, discovered local organizations and resources.
Like you, I sign up for events, including online classes, but I never seem to have enough time to participate fully. However, the little I manage to fit in always adds at least one helpful nugget to my repertoire, making it worth navigating the overwhelming amount of networking and training available to indie authors—often offered for free–so long as I don’t let it eat up my writing time. That is a challenge, I must say.
I follow Reedsy, AutoCrit, BookBaby, BookBub, and BookFunnel, to name a few, which regularly offer classes or helpful blogs. A few other useful newsletters come from Gotham Writers (which has great classes and blogs) and Writers Write. This last one is ad-heavy, but it contains lots of great content. Check out my latest favorite blog as an example: “What Can Jane Austen Teach Us Today?” They always provide a brief yet interesting post, followed by helpful bullet points and a list of related articles.
This might also be the place to mention my cross-promotion group on Facebook: #RomanceBookBlast. I participated in every quarterly Book Blast promotion over the last two years, as well as the Black Friday sale, which has significantly impacted my book sales and visibility. So, I can highly recommend it as a valid marketing tool for an indie author on a tight budget.
Our group host and admin, Jessica Anderson, has done a fantastic job helping us grow. Participation is free as long as you agree to promote the quarterly events through your newsletter and social media. I average around 3,000 downloads per free offer. In my genre, it’s advantageous to sell exclusively on Amazon by enrolling in Kindle Direct Publishing (KDP) to reach Kindle Unlimited (KU) users. My KU pages read have increased significantly this year as a result of the promotions (76,000 pages read!). I also discount my other books in the series, and each event leads to sales of all my books. The group and its followers have steadily expanded, and our events are promoted not only by each other but also on BookBub, Apple Books, and by influencers on TikTok. Thank you, Jessica! She’s been wonderful in driving this promotion to new levels.
If you receive author newsletters offering free books, they’re likely part of a cross-promotion group. I prefer this as my main marketing platform, but it’s also helpful to coordinate with other promotions, such as Written Word Media, BookFunnel, BookBub, and others, to maximize impact. I tried Written Word Media for the first time this fall. I’m fairly certain that my #RomanceBookBlast results improved with the paid promotions, but not enough to use them regularly, except maybe for special events and when I can catch sales. They claim that their emails go out to 50,000+ readers (at least for romance audiences). Sales have continued to trickle in, and I’m thinking the paid promotion helped reach more romance readers.
Also, while it’s not a significant number, my book ratings on Amazon go up a little each promotion, and every bit of that helps as well.
I also took advantage of an offer from BookBub this year to create a website with their new Author Websites by BookBub. I was intrigued because, as a BookBub author with my books featured on my profile, they automatically appear on a catchy page on the site. The free templates are simple, clean, and easy to use. I designed an attractive, author-focused website very quickly. I feel great about using BookBub because they truly understand the readers and market.
NL: That’s amazing, Darci! I’m thrilled and impressed with what you were able to achieve with cross-promotions and groups! It makes me even more eager to finish my book so I can have as much fun finding out what can be done to share my sci-fi story. Written Word Media, BookFunnel, BookBub; I’ve seen some of them, but I haven’t learned to know them – so far. I didn’t know you could create a website with BookBub! I enjoy that kind of stuff, so I can’t wait to dive into it!
DLL: Glad I could share some useful tips, Nicolas! One last highlight to share is about writing contests. You and I have both participated in Writing Battle, which hosts many contests throughout the year. I’ve interviewed the amazing couple from beautiful Nova Scotia who created the platform, which has since exploded in popularity. I entered the Autumn 2025 Short Story contest this year after a long break from contests. It was a bit daunting since it was also my last week of chemo, and I wrote in a chemo fog! But I loved my story, and it did well, reaching the final showdown after passing through the peer judging duels. Writing Battle provides four really unique genres (often more like tropes) for each contest, along with prompts. I got “Vampirical Romance,” with “ice rink” and an “influencer.”
While it is super hard making it to a win for the fabulous cash prizes, at least you end up with a story that, while challenging to write in the abbreviated timeframe with the required prompts, ends up surprising you and being a blast to write. But then you need to find a home for it. I’ve published these stories in my “Priss Starwillow” collection, and you can find them here for free, except for this last Writing Battle story, which became part of an anthology called “Dreams.”
I belong to a wonderful group of indie authors on Instagram who support author Chantal Agapiti’s The Dreamer’s Bookshop, which she created to support indie authors! The physical shop resides in Belgium. The paperback is available in her shop and on Amazon, and you can get the ebook here. Follow the shop for future anthologies and to support indie authors. I’m proud to be part of this ongoing project.
NL: Thanks for the links, and congrats on making it to the final showdown! That’s an amazing feat. I very much enjoyed my two participations in Writing Battle, though I didn’t enroll this year, figuring that I would rather put my limited time on my novel in progress. But I look forward to participating again in the future, for sure!
Works in Progress
DLL: I’ve been overwhelming you this year, Nicolas, with my work-in-progress in our email chats, and I feel terribly guilty, but you’ve been great about offering encouragement and sharing your own experiences. I was also glad to get a sneak peek at Seven Drifts. Then, I managed to talk you into letting me beta-read a scene.
So good! I can’t wait to read the finished novel or possibly get more scenes to dive into… hint, hint.
And wow, Nicolas! You read my series! Thank you so much.
I feel like sharing some of our discussion and our WIPs here. How about you?
NL: Absolutely, share away! And please… No guilt! It was fascinating to read several versions of this part of your work and to witness their progression. I feel privileged to have been part of it, and I hope for that opportunity again.
About The Starlight Chronicles, I really enjoy how you manage so many different characters and their lives and backgrounds, and how you get us to know them better and better, to the point where I feel like I’m part of the family myself. It’s a breeze to get into, despite so many people to track. So well done!
I also love a mix of genres. This is an intense romance with a lot of action. Shifters, vampires, a slew of other supernaturals, even alien princes! I deeply enjoyed each and every reference to history, and how the story makes a fascinating use of the Sumerian language and culture. Gilgamesh rules! Apart from that… Well, TSC had so many compelling characters, each with a fabulous destiny. Also, so many fascinating, eye-widening settings (even the library of my dreams!), and such a complex, riveting plot… Not to forget, what an epic, spectacular ending! So well done.
Another thing I wanted to mention is that I like the way you weave in many short chapters, moving the story forward in a smooth, gradual progression, giving so much information without it ever feeling too charged or complex. My scenes tend to grow each time I look at them, and I always seem to find new details that are missing, so I add them.
DLL: I’m so glad you enjoyed my books (in a few iterations ☺️), and thanks for saying so, not to mention your lovely comments. I can’t wait to return the favor, especially after getting to sample your scene.
Many readers who don’t read fantasy romance (romantasy) are a bit overwhelmed by the large cast, and I for sure got carried away on my first go around. 😁 In a sense, after absorbing stories from so many fantasy romance writers over that crazy summer of 2020, I let my paints spill all over the canvas, even aliens for Pete’s sake. :) But it was a lot of fun and a huge relief that I made some kind of plot out of it. Mostly, I think it’s a fun ride to go on with Selena, sort of like Dorothy through Oz. She finally runs into some serious challenges in Tigris. It’s so hard to make my characters suffer, but finally, I got some readers shedding tears. I’m hoping to do better with that in my spinoff stories.
Here is where I dove into my novel-in-progress with Nicolas, but months later, everything has changed. Surprising, huh? I will offer a fresh take on my projects, then Nicolas will give us a sneak peek at Seven Drifts.WARNING! EXCLUSIVE COVER REVEAL. 😊
My focus has shifted to finishing Gemma’s story first (Selena’s best friend in The Starlight Chronicles (TSC)).
Gemma is set in Quincy, running parallel to the TSC. The Sinclair twins (black panther shifters) return to Quincy during Drago Incendium (Book Two) to run the science and communications hub remotely, while Andras and Selena head to her brother’s lodge in Alaska with Michael Elliott to complete the quest with the Anurashin.
As the series reveals, Gemma likely has a stalker she’s evading. How will the twins help her handle her problem while convincing her she’s their mate? Will it take them into the Sierra Nevada backcountry, where Gemma’s skills are tested, to face a compelling, morally grey (or worse–his character is still developing) antagonist, a rogue bear shifter named Dietrich Braun? Hmmm. While we meet a few new characters, this story will be a streamlined, standalone romantic mountain adventure.
My next goal is to finish a TSC two-book spinoff (already well in the works) for my two favorite secondary male characters. One is for Michael Elliott, who will team up with Halil Enair (who once tortured Michael on the behest of her evil father) and a new character, a powerful skin mage named Spero Vic, in a story that will explore the dragon lore Elliott promises to share with Selena. We get to travel to a new realm, learn about Onyx (Michael’s dragon) and his kingdom, discover Rune magic through tattoos and song, and meet exciting new characters. It’s all coming together in Halil’s Midnight Sun.
Running parallel to this story and set to join it during the climax is Ember’s Dark Flame. This will be a standalone story with its own ending, then moving to a final climax in Halil’s Midnight Sun. It features vampire emissary and spy Mortas, and Ember, the woman he once loved (also Andras Johns’s best childhood friend and favorite witch who appears briefly in Books Two and Three in TSC). What happens when these estranged lovers reunite to rescue a young witch and stop an evil coven’s plot? I can’t wait to let you know! Both novels will introduce new characters and bring back old ones from TSC.
I’ve also started an epic historical fantasy set in 1776 Alta California, The Spanish Maiden Who Dreamt of a Bear. We’ll embark on a true historical expedition with fictional characters, Elara Sofia de Luna Estrada and her father, Alejandro, who join Juan Bautista de Anza’s ‘traveling city’ from future Tucson, Arizona, to future Monterey, California, as de Anza (the first governor of New Mexico) claims territory for the Spanish Crown.
Elara is Andras Johns’s grandmother, a marked maiden of her time who finds bear shifter Broderick Johns when she arrives with the expedition at the presidio in Monterey. When a competing Russian colonist and bear shifter arrives on the scene, he sets his sights on Elara and pretty much everything else that belongs to Broderick, including his status as the most powerful shifter on the North American continent. Elara and Broderick are mentioned throughout TSC.
Of all the non-TSC novels in the works (three sci-fi and one YA urban fantasy), the one I most want to finish is The Fourth Planet of Cinnamon Jones. It’s a sci-fi fantasy set in Eastern Oregon, in the town of Halfway near Hells Canyon, then moves to Portland, which is a hub for displaced fae. It turns out the fae are not just creatures from human mythology, but aliens from a planetary system deep in the Milky Way called Helixia.
We’ll see what happens when a handsome but hardened bounty hunter comes for Cinnamon Jones, a changeling at birth (left with human parents who believe they adopted her legitimately), who doesn’t realize she isn’t human until a car accident throws her and her parents into the Snake River, and she sprouts gills and webbing on her hands and feet. That’s fine because Cinnamon already knows that water is her element. What’s not fine is that her birth parents want her back on Sempria as their weapon in a political power struggle.
Take it away, Nicolas!
NL: Wow, Darci! So many new stories, I can’t wait to dive into! On my end, I’ve been wondering for a while whether to reveal more of my project and risk spoiling parts of it… But the more I think about it, the more I think I’m ready to reveal more about the story, especially now that it’s mostly congealed. (BTW, I like that term.)
So here’s a first, quick-and-dirty – potentially confusing – jumble-teaser intro…
Seven Drifts is not only about chasing after treasure chests, drooling over a cool house, or watching from a rooftop as weird things happen. There are dead bodies. Thieves. NoFolk. Illegal children – lithe kids, an army of them. Places with different gravity conditions, like the heavy, hypergeeUnderlevels, the nogee levels high up in the Eights, and of course, the more familiar legitgee, citizenry levels. It has urban and rural zones, even ski resorts. It has interns, rebels… A big festival, and a jazz band with competitive lead singers. You’ll hear of climate change inside a space city with messed-up weather systems – and that’s just one more clue. It has a bunch of funky, quirky acronyms, like VR (it’s not only a drug), GPUs (General Preservation Units), MAHAL (a type of propulsion drive). At karaoke, Anita’s best friend will meet her tall, dark stranger with a baby face, older than he looks. Leona is the great-granddaughter of a well-known, infamous architect named Felipe Crasotte, who lived a hundred years ago.
Seven is a former starship, damaged and stranded, that was turned into a long stack of O’Neill cylinder-type habitats – or districts. It’s going nowhere. It is led by a benevolent-looking villainous villain who happens to be the mayor of the city and savior of the people…
As a compelling zen master, Mayor Larocque proposes a philosophy and way of life he calls Driftism – capital D – and de facto, he is the city’s drift master – in more meanings than one. Every morning, all citizens must partake in the daily drift virtual session – seven drifts per week – to train their minds to drift along with the Master’s. Mayor Larocque, aka Baba, is very much into sharing his expansive mind with his valued mentees. He intends his beloved people to get his drift just as he gets theirs – in the fullest of ways.
The story takes place over the course of the most important week of a very important year. That year is the second centennial of Seven’s Awakening, which took place after a centuries-long journey. As the saying goes, “only seven more drifts to go before the big festival night…”
(Geez, I’m still having fun after years of working on this!)
I’m planning to use excerpts from Felipe Crasotte’s journals to expand on aspects of the world and its history in a fun way and to reduce exposition in places. Also, I’d like to use the narrator’s POV in the first person here and there, to show other ideas that are useful to the story. The writer is Blake, a character in the story. He is also the trumpeter in Leona’s new band, and he becomes Anita’s lover pretty early on. In the end, he pledges to write the true story of Anita; what really happened with her and her crew, and most importantly, why, so that down the line, after they get to the end of their long journey, the people of Seven may stop hating her for what she did – effectively putting an abrupt end to their beloved, comfortable way of living, while in fact, saving them and giving their ship a true destination and purpose.
Book Recs & Cultural Influences
DLL: As I mentioned, I read a lot this year—the most I’ve done in years towards my Goodreads goal. I’m at 76 out of my 50-book goal. I raised the goal to 60 in November and surpassed it again. This is mainly thanks to a new favorite author, Lindsay Buroker, and her many series. She is a prolific urban sci-fi/fantasy writer who creates stories I dream of writing, with witty banter, fantastic world-building, and relatable characters. Her writing is phenomenal, and even my husband is enjoying her sci-fi series, “The Fallen Empire.” It reminds me of the best parts of “Star Wars,” “Star Trek,” and the sadly short-lived “Firefly.”
Two other outstanding books this year were Andy Weir’s “Project Hail Mary.” Can’t wait for the movie! My whole family got into this one and discussed it. I listened to the audiobook and highly recommend it. The second audiobook I couldn’t stop listening to was the first book in Callie Hart’s “Fae & Alchemy” dark romantasy series, “Quicksilver.” The next in the series, “Brimstone,” has just been released, and I can’t wait to listen to it!
I read both of these early in the year, ahead of the social media hype, which I love doing. They just feel more special that way.
Another author I got into was Elise Kova—wonderful fantasy romance with great characters and worlds.
Your turn, Nicolas!
NL: Seventy-six books, that’s an impressive achievement. I have read The Martian, by Andy Weir; even studied it over a course I did back in 2018, but not Project Hail Mary yet. Now it will be on my reading list! I’ll keep a note to check out Callie Hart’s and Elise Kova’s books.
Reading is one of my favourite ways to calm down and reconnect. I don’t do it as much as I’d like, but reading usually brings me a kind of peace and a lot of inspiration. I don’t set goals, but I try to read a little every day if I can. I keep a list so I won’t buy the same book twice, as I’ve been known to do. Here’s a sample from the last couple of years, so you’ll see the kinds of books I like to read.
The Language of Acorns, V.R. Friesen
Go Tell The Bees That I Am Gone – Outlander #9, Diana Gabaldon
Revenger, Alastair Reynolds (Book #1 of a trilogy)
Children of Gravity Beta version 1, V.R. Friesen
Aestus Books 1-2, S.Z. Attwell
Shadowlake, Olivia Rytwinsky
Gravity Shattered Extra Scenes, V.R. Friesen
Stone of Fire, JF Penn
Day of the Viking, JF Penn
Pilgrimage, JF Penn
Manifesting Your Greatest Self, Nick Ortner & Creating Lasting Change, Jessica Ortner (The Tapping Solution)
Pale Face, W.D. Killpack III
Crown Prince, W.D. Killpack III (Next books in series on my reading list!)
The Shithead, Tim Grahl
Out of Tune, D.C. Greschner
Regenerative Business, Samantha Garcia
Ursus Borealis, D.L. Lewellyn
Drago Incendium, D.L. Lewellyn
Tigris Vetus, D.L. Lewellyn
Shadow Captain & Bone Silence, Alastair Reynolds (books 2-3 of the Revenger trilogy)
Inside a Dark Space, M.J. James
The Trials of Imogen Sol, C.L. Walters
Oh, and before I forget… Thanks for peppering your stories with so many awesome musical propositions! I look them up and listen to them. As a result, I often listen to Neko Case nonstop while writing. I love her voice and music. I have other notes I’ll explore further. Keep suggesting!
DLL: A fantastic list, and so fun to see my titles in there. Thanks again for taking the time to read them.
You’re the second person to mention enjoying the songs and other art references. If you haven’t listened to First Aid Kit, you’ll dig the Swedish sisters, too! Here’s the song referenced in Ursus Borealis.
I added a credits page for my cultural references in Tigris, along with a detailed Appendix for the series. It was fun to put that together, recalling all my side and minor characters and being amazed by the sheer number of them. I also love hearing when a reader takes the time to check out those end materials, which has happened more often than you might think.
NL: It’s wonderful! In addition to great music, I see any art form as a potential nourishment for my creativity. Marie-Claude and I sometimes go out and visit big and small art exhibits. Every little gallery, every museum, every piece of art can be a source of inspiration and energy. Check out these exhibitions we saw recently: Alan Glass, Joyce Wieland, Atelier circulaire, Espace Bougie, BIECTR. I love pottery as well.
DLL: That is a wonderful body of exploration, but not surprising from such a fantastic city where beauty is around every corner, as your walks attest (follow Nicolas on Instagram for some amazing photos, a few of which have been sprinkled throughout our conversation). One day, I will visit Montréal and say hi!
NL: It’ll be my great pleasure to say hi too! Thanks, Darci! Once again, it was wonderful talking to you and getting to know you a little more. I had a great time chatting and collaborating with you on this compilation. I look forward to more fascinating conversations to come!
DLL: Same here, Nicolas. I can’t wait to see what new things we chat about in 2026. Happy New Year to you and Marie-Claude.
Follow D. L. Lewellyn at bydllewellyn.com and sign up for her newsletter and a free story. You can also stay posted on Instagram and Facebook.
Follow Nicolas Lemieux at nicolaslemieux.com. Sign up for his newsletter and get your copy of DRIFT & CRADLE. You can also stay up to date on Instagram and LinkedIn.
I’m very excited to present a new anthology brought to you by The Dreamer’s Bookshop (TDB) Author Collective. If you love poetry and stories in multiple genres all about DREAMS, you can support the authors, including me, by purchasing the book and wonderful merch directly through the charming little shop in Belgium. The gorgeous paperback is also available on Amazon. Click below.
My story came from my Writing Battle Autumn Short Story contest, which—I am excited to announce—advanced through 10 duels to the final showdown.
I expanded Rylee’s story for this submission, and I hope you’ll enjoy it along with all the wonderful stories from some truly amazing authors. This is our first collective in The Dreamer’s Bookshop. More coming in 2026!
In Double-Down Wish, meet Rylee, a cancer fighter who’s checking off her bucket list before… Well, just before. Teaching herself to ice skate might not be as death-defying as her earlier adventures, but jumping out of a plane and rappelling into a desert canyon also didn’t put her in the path of a shadowy, handsome stranger telling her she has a beautiful smile.
Republishing this piece in honor of the 20th Anniversary of the western drama, Open Range. (I was reminded of this by a fellow blogger! How time flies!)
First of all, I want to say I adored Uncle Lauran. I just had no idea…
Recently, someone asked on social media about using different pen names for different genres. My first reaction was that a name is the most important aspect of a writer and should sell the author, regardless of the genre. It’s hard to imagine using multiple pen names and struggling to brand each one for different genres. I already have a hard enough time branding my single pen name. Of course, I’m self-published in today’s world. Back in my uncle’s day… sigh… oh, to be a writer when people actually visited libraries.
But the more I thought about it, the more I realized it’s not a new question. Writers have used multiple pen names to differentiate their stories and guide readers toward specific genres for ages.
Then, I had a ‘slap my forehead’ moment when I realized that one of the most amazing and prolific writers of the twentieth century, who had mastered this concept, was my very own uncle, Lauran Paine, a man who, like so many of us, struggled to get published, found his niche, and launched a career that resulted in over 1000 books! Yes, that’s three zeros, folks!
Here’s what People Magazine said about Uncle Lauran:
Ernest Hemingway—Lauran Paine can outwrite you! Franz Kafka—Lauran Paine can outwrite you! Count Leo Tolstoy—you too! Lauran Paine can outwrite all you pretty-boy novelists put together!
Uncle Lauran was listed in the ‘Guinness Book of World Records’ as the world’s most prolific living author for many years. The first thing I asked to see during my visit was a copy of that publication. I already loved the fun facts in the Guinness Book, and having an uncle’s accomplishments listed alongside records like the tallest man ever recorded, the shortest woman, and the largest living cat… well, that was the best.
At the time, I didn’t think to link that to what it meant to have so many of your own books on a shelf. They covered an entire wall! And that’s the crux of my musings today: he used over 70 pseudonyms, both male and female, depending on the market.
I’m not sure why I haven’t given Uncle Lauran’s writing more thought since I became a writer. My Dad shares a story about him every time I talk about my writing (which results in a lot of stories… hmmm…), and I love hearing them. But it wasn’t until today that I realized how amazing he was in his chosen profession, and I started remembering how he shared his experiences.
I loved listening to them back then. Today, as a writer, those conversations mean even more.
Memories are funny things. I’m sure you’ve had that moment when a single thought opens the floodgates. Uncle Lauran married my Aunt Mona in 1982. She was his favorite research librarian at the Siskiyou County Library (actually, more like the only research librarian). It was a late romance made in heaven. All the memories started playing like a film reel—the holidays at the cozy A-Frame in the mountains. Uncle Lauran, scaring off a huge bear that came to visit at the back porch one Thanksgiving, and his office full of his own books in the stone-lined basement built into the hill under the house.
So, I had to share. Because now that I am a writer and have taken another look at his body of work, I am floored. I would love the opportunity to go back in time and learn more about how he achieved it. He was a rock star! I appreciate much more now what he accomplished by sitting down and writing every day with a set schedule.
Books were his bread and butter. He wrote full-time from 1948 (though he started writing in 1934) until just before he died in 2001. He always talked about having a formula. If you master the formula, you can write anything consistently. Mr. Friedman of People Magazine captured the formula best in Uncle Lauran’s interview.
Keep in mind, he was a genuine cowboy from a much earlier era…
Paine churns out more than oaters. “After a while,” he says, “I get bow-legged with all these Westerns.” He’s done history, science fiction, mystery and romance. “Romances are the easiest thing in the world to write,” says Paine, “if you can stomach them.” In conquering his digestion, Paine must also come to grips with a problem all fiction writers wrestle with: empathy. “I don’t know much about women,” he admits. “But what man does? They’re emotional creatures.” So Paine has devised a formula to probe the depths of female psychology. “They want him, they don’t, they don’t know. By that time, you’re on page 251.”
Uncle Lauran really said that about the formula! He said it to me numerous times to convince me I could write. I guess I did have aspirations back then. Hmmm.
U.K. Writer Ben Bridges does a beautiful job of highlighting Uncle Lauran’s career. You can find his article here. I love what he has to say about the pen names:
When the paperback market began to dry up in the 1960s, however, Paine adopted several new pseudonyms and began turning out westerns primarily for Robert Hale, its subsidiary John Gresham and the then-buoyant library market. Now, in addition to Mark Carrel, he could also be found masquerading as Clay Allen, A A Andrews, Dennis Archer, John Armour, Carter Ashby, Harry Beck, Will Benton, Frank Bosworth, Concho Bradley, Claude Cassady, Clint Custer, James Glenn, Will Houston, Troy Howard, Cliff Ketchum, Clint O’Conner and Buck Standish, among many others. Additionally, he published scores of crime, science fiction and romance novels (virtually all issued by Hale or Gresham), but later admitted that thrillers and SF required more thought, time and planning to make them work.
Mr. Bridges, also published by Robert Hale, has an impressive body of work himself under his own variety of pen names. I discovered another author I need to study and read!
My favorite part of Uncle Lauran’s story was how long it took him to find his niche, which didn’t happen until he got advice from his publisher to write what he knows. He was a cowboy, a stuntman, he owned cattle. He said he had the scars to prove it. He wrote what he knew and he gave his readers tons of it. He used to tell us some of his Hollywood stories about the times he hung out on the lot of the Lone Ranger. He was friends with Jay Silverheels, who was the legendary Tonto. That’s just a sample.
Two movies were made from Uncle Lauran’s stories: 1957’s ‘The Quiet Gun,’ inspired by Lawman, and 2003’s ‘Open Range,’ based on The ‘Open Range Men,’ produced by Kevin Costner and starring Kevin Costner, Robert Duvall, Annette Bening, Michael Gambon, and Michael Jeter. It’s an amazing movie and does justice to the original story. My aunt managed Uncle Lauran’s works after his passing, working closely with Lauran Paine, Jr., and put in a lot of effort with Mr. Costner to bring her husband’s story to the big screen. She attended the premiere.
This story became…This story.I adore the old coversUncle Lauran picked this one for me because it is a beautiful western romance. I’d have to argue that he understood women despite his glib formula litany. I loved it.
Uncle Lauran didn’t just crank out serial fiction, but he also created an impressive, wide-ranging body of nonfiction. He brought this book to my Dad’s house during one of my visits, and I stayed up all night reading it. It’s enjoyable to discover these out-of-print books for sale from interesting booksellers. This particular one is listed by Common Crow Used & Rare Books.
Though I didn’t get a chance to thank Uncle Lauran for planting those seeds to tell a story when I was in my twenties, I hope he appreciated my fascination with all that he was and achieved, nonetheless.
Do you see it? Can you picture the whole story? There are so many things to say about the title of this 1987 movie starring Billy Crystal, Danny DeVito, and the late Anne Ramsey of Goonies fame. While my main contemplation is about how it conveys a story in five words, there are other elements worth mentioning.
But first, do you agree with me that the title is a complete story unto itself?
Right off, we have an idea about the characters, their motivations, the plot, and the setting. We know that the protagonist both loves and hates their mother. We know the antagonist has done enough awful things to be worthy of being thrown off a train, or at least having a child fantasize about it, and we get the struggle. There will likely be attempted murder action on a train. We might also guess the outcome. Could you throw your mother off a train no matter how you felt about her? Of course, we can’t foresee all the plot twists and surprises and there are many in this comedy action film, but these five words have me imagining all sorts of things.
Other information gleaned from these five words that I particularly enjoy is that they sound like a book title, which it is. So, we might grasp that element right off as well. I love that this is about a creative writing teacher and writer suffering writer’s block after his ex-wife steals his book and makes millions with it. No one could pull off that maddening fate like Billy Crystal. Throw in an emotionally stunted student who gets the brilliant idea to switch murders in a Hitchcockian Crisscross-type alibi story, and wow! So much to work with.
The creators not only conveyed a story in their title, but they could use the group of clever words as a plot device and a marketing boon… along with the hilarious images of Momma.
What other movie titles can you think of that accomplish this?
Here are some I found:
The Assassination of Jesse James by the Coward Robert Ford
Saving Private Ryan
Tower Heist
Snakes on a Plane
Granted, these might be more about revealing the plots in the titles than giving us a whole story, but I get a lot of information from their brevity, nonetheless. Don’t you?
I’ve also saved a few memes that convey a story in a handful of words. Here’s a favorite.
The challenge of conveying so much with so few words fascinates me, and I’ve returned to it time and again as I pursue novel writing. One of my favorite exercises was contributing two sentence stories last year to fantasy author Richie Billing for his newsletter (which he packs full of helpful resources for writers by the way). One of those is the header on my Short Stories page, Sad Swallow. Oh, alright. I’ll just add it here. It’s only two sentences.
In a voice that plucked at her heart strings, her dear swallow lamented, “All winter we exchanged stories, my beautiful Thumbelina, and it made my heart soar. When you climbed upon my back and begged me to take you to my favorite far away land, how could I have known my happy dream would end with you forsaking me for another?”
Ahem… Okay, so, they’re two long sentences. Still, two sentences. For more of these, click here. They were such a blast to do and based on a genre prompt from Richie. Sad Swallow obviously is a fairytale retelling.
I’ve also tried my hand at 100-word and 250-word stories in what are referred to as drabbles or micro fiction. And I just signed up for another 250-word micro fiction challenge with Writing Battle, taking place in August. So many good things happening on that platform! Thanks Max and Teona!
My latest endeavors in brief tales include poetry, which I’ve written to accompany three stories I will be publishing in one volume later this year. I’m very excited about what I came up with after thinking for years that I could never write poetry. It’s so satisfying and fun!
If you dare, check out my series of three 100-word horror stories here. And my 250-word action adventure drama here (with a bit of ranting on my excellent feedback).
Thanks for tripping with me over the title, Throw Momma From the Train, and have an excellent rest of your June.
Written for Richie Billing’s Two Sentence Story Prompts for The Fantasy Writer’s Toolshed newsletter. Can’t say enough about this fantasy writer who is super generous and helpful to budding writers.
Genre: A Cowboy Story
A Cramp for A Win!
Seth contorted his shoulder to reach that agonizing spot on his calf, which he was determined to keep pressed against the flank of the bucking bronco. The move didn’t do a thing to ease his cramp, but damn, if his inflexible leg didn’t just do the trick to keep him seated on the back of the snorting beast for that extra three seconds!
Genre: First Contact / Alien Encounter.
Did She Just Say That?
A vision materialized in the antechamber, zeroed in on me, probably because I was the only one holding a clipboard, and demanded, “Take me to your leader.” No way did that blue-skinned beauty just utter those B-movie words I thought, even as I turned to walk towards the Oval Office, propelled by some mysterious force.
Genre: Fantasy Romance
Saving Her Distraction
The elf princess’s long legs ate up the distance, bow raised, arrow nocked, hair billowing around her head in aqua ribbons, electric green eyes fixed on her target. She was pleased to see the cagey goblin, who knew well her deadly aim, freeze in his tracks at the mouth of the Cyrian Cave as she bore down on him and called out to the trussed-up human she’d come to adore, despite his inability to stay out of trouble, “You nearly did it to me this time, my love, leaving me to spend another thousand years looking for one like you who drives me so satisfyingly to distraction.”
Genre: Crime Story
Lovely Burnt Bone
Detective Armstrong knelt by the destroyed boathouse, sifting through Julia’s scorched remains, then plucked up a fragment of her jawbone while she hovered over the scene of her death and watched with ghostly eyes. Finally, she thought, as he called out, “Would you be so good, Reginald, as to process this lovely piece of dental work I will refer to from here on as our smoking gun.”
Genre: Thriller
Mom’s Sacrifice
She crouched under the bridge while her terror dissipated and listened for the scraping sound his game leg made as it dragged along the asphalt, signaling her mother’s murderer was nearing their trap, and their plan was working. Step… thump… step… thump… step… thump… then a hitched breath, a swish of metal slicing through the air, and a quiet splat as the hated head dropped into a vat of acid.
Genre: Nautical Adventure
Due East
Storm clouds roiled across the horizon, while the setting sun pierced the ominous gloom with its brilliant orange rays. Captain Scott made his navigational calculations and called out orders to adjust the Helene’s course due east, even as he dreamed about the fabled gold ahead, and gloated over the bloody destruction he left behind, which had finally eliminated the competition.
Genre: Fairytale
Sad Swallow
In a voice that plucked at her heart strings, the dear swallow lamented, “All winter we exchanged stories, my beautiful Thumbelina, and it made my heart soar. When you climbed upon my back and begged me to take you to my favorite far away land, how could I have known my happy dream would end with you forsaking me for another?”
I’m not claiming by any stretch that these are great stories, but I did give them my best shot, and Richie guaranteed submission for any and all efforts by his followers. I missed the deadline for Sad Swallow, so Richie added it to his next newsletter. He’s awesome… and a great writer!
This month’s guest first came to my attention several years ago at an Autocrit short story workshop, and I’ve enjoyed her stories and lively newsletter ever since.
After participating in Rayne Hall’s latest writing contest, where she challenged writers to submit stories without any AI assistance, including editing (eek! No Grammarly!), I thought it would be fun to invite her to chat about her life as a writer (gardens, cats, and all), her works, and writing in the gothic horror genre. We will also discuss her work as a writing coach and her top five tips on the craft.
Let’s Meet the Author
I’m Rayne Hall, and I help good writers become great.
As the author of the bestselling Writer’s Craft guides, I answer writing-related questions on in the social media, post articles online, coach authors, edit books, speak at conferences and teach online classes.
I’ve been working in the publishing industry for three decades, as a trainee publishing manager, editorial assistant, magazine editor, investigative journalist, production editor, literary agent and publishing consultant.
In between, and often at the same time, I’ve been a museum guide, adult education teacher, development aid worker, apple picker, trade fair hostess, translator, belly dancer and tarot reader.
Now I’m a professional writer, with more than a hundred books published under several pen names (mostly Rayne Hall), in several genres (mostly fantasy, horror, historical and non-fiction), by several publishers, in several languages. I’m also a publisher, and these days I publish most of my own books, as well as anthologies with Gothic stories by other writers. After living in Germany, China, Mongolia, Nepal and Britain, I’m now based in Bulgaria where I enjoy visiting ancient Roman ruins and derelict abandoned homes, going for walks in the woods, organic permaculture gardening and training my rescued cats.
Let’s Get Started
Thank you so much, Rayne, for visiting with me on my Spotlight. I’d like to start at the beginning and ask: Who or what inspired you to become a writer and dedicate your life to the written word?
RH: I grew up in a conservative, restrictive home in southern Germany in the 1960s, when girls were expected to get married and become housewives. This didn’t appeal to me in the least. Cooking and cleaning all day long sounded boring.
My family was steeped in the Catholic religion, and they gave me a big book with the life stories of saints. I read the thrilling tales eagerly. Could I become a saint instead of a housewife, thus escaping the boring household drudgery?
Alas, sainthood seemed to require not only a pious life but a painful death. Most saints suffered martyrdom, pierced by arrows, devoured by lions or burned. I didn’t cherish an agonising demise.
Housewife or martyr? Both dreary options, and I didn’t look forward to growing up.
I started reading books when I was four, and by the time I was seven, I devoured all the kids’ books I could lay my hands on: fairy tales, illustrated animal stories, saints’ lives and more. When I discovered that there were women who wrote books, a window to a new world opened for me.
As a grown-up, I wouldn’t have to scrub floors all day, nor would I have to offer my feeble flesh up to torture. I could write books instead.
“When I grow up I want to be a writer,” I declared firmly, at the age of seven.
Of course, adults talked me out of this ‘nonsense’ and persuaded me to choose a more sensible career. But with twists and turns, my life path led me back to my vocation, and here I am, a writer of books.
DLL:How awesome to start life early with that gothic romance outlook. I appreciate how you knew what you wanted at the age of seven, or rather, what you didn’t want, and ended up where you aimed to be.Such a great story!
I find it fascinating to learn from different writers about how their journeys evolved. What inspired you to write horror? Tell us about your other favorite genres.
RH: Historical fiction was my favourite genre to read, and my first genre to write. I remember my first attempt at a novel – the adventures of a Venetian courtesan in the 1700s. Probably not a good choice of subject for a fifteen-year-old virgin who had never been to Venice.
After that came several more historical novels, each a notch better than the one before, because I became better and better at my craft. But success eluded me. I tried other genres, switched to short stories. Yet every manuscript I mailed out returned with a thud. In those days, submissions were on paper, and the envelopes with the rejected sample pages and stories were heavy. I learnt to recognise the sound of a rejected manuscript falling through the letter slot, a disheartening start to the day.
Then in one week, I got three acceptance letters. Acceptances – without manuscripts attached – whispered through the letter slot, what a cheering noise! All three were for horror stories. That’s when I saw a pattern. If Historical Fiction didn’t get me anywhere, but Horror did, maybe that’s what I should write.
At first, I baulked. I thought all Horror was Splatterpunk, with sadistic violence and gruesome stuff – again like the martyrs having their flesh torn with red-hot pincers – and that was not for me. But when I researched the genre, I discovered that it has subtler forms: Psychological Horror, Suspense, Gothic.
The Gothic especially appealed to me: more creepy than gory, more atmospheric than violent. I love it, and this has become my main writing category. I love creating the vibrant settings, the passionate emotions, the guilty secrets, the creepy atmosphere.
I tried to write other genres, too: Historical Romance, Cosy Mystery, Urban Fantasy, Science Fiction. But somehow, they all took a dark turn. Without my knowledge and consent, the characters hatched evil plans and hijacked the plots. So I ended up writing yet another Gothic Horror yarn.
Fortunately, Gothic fiction lends itself to layering with other genres. So I’ve created not just Gothic Horror, but Gothic Historical, Gothic Fantasy, Gothic Romance, Gothic Mystery fiction.
DLL:This is so encouraging, not only in terms of perseverance, but also in how one finds their niche. I love it!
What inspired you to teach the craft, and where do your craft books fall in your bibliography? What topics did you focus on in the beginning, as compared to now?
The Writer’s Craft books teach advanced-level writers specialist skills. They’re the kind books I would have needed years ago but couldn’t find because they didn’t exist. At the time, there were many how-to-write books for beginners. But for writers who’d mastered the basics, there was little guidance available.
Eventually, after I had reached a very high level with my own writing, I developed the series to fill the gap in the market.
Writing Fight Scenes was the first of the Writer’s Craft books. During my long learning journey, I’d been frustrated that there was no book available on this specialist subject.
When I saw online courses on this topic, I signed up at once – only to find that they were superficial and filled with platitudes instead of providing practical guidance. So I studied fight scenes in literature and developed my own system. Then I taught an online course, which was a tremendous success. Many authors needed fight scenes for their fiction and didn’t know how to go about it, and they loved my course and recommended it.
In 2011 I decided to expand my course into a book with the same title, and it instantly became a bestseller.
So I turned some of my other courses into books, too: Writing About Magic, The Word-Loss Diet, Writing About Villains. Before I knew it, I had a series with fans who wanted more.
The series now has almost 40 titles. Writing Scary Scenes, Writing Love Scenes, Writing Vivid Settings, Writing Vivid Dialogue, Writing Vivid Plots, Writing Vivid Characters, Writing Deep Point of View…
Which do you prefer to write, short stories or novels, and how can you tell when a story might evolve into a novel? What’s your top favorite answer when a reader asks you how to write a short story?
RH: I enjoy writing both short fiction and novels. My best work, the one I’m most proud of, is the dark-epic fantasy novel Storm Dancer.
But overall, I prefer short stories, simply because they’re quicker to complete. I can finish a short story in a month, from idea to polished version, whereas a novel is a commitment for years. I have many half-finished novels lingering in my file folders, and it’s doubtful whether they’ll ever see the light of publication. With shorts, I can savour the thrill of completion more often.
Many short stories want to grow into a novel. As I write, they grow and grow, and it takes discipline and skill to keep them confined to a manageable length. My two favourite techniques for this: 1. Let the story play out in a single location. 2. Let it unfold within a short time, preferably in a single day.
DLL:Thanks for the great tips! I can totally relate to your experience. I often feel torn between finishing shorter pieces and working on novels that I might never complete. It’s frustrating when I have such epic endings and vivid scenes running through my head, all while feeling like time is slipping away. So many writers publish multiple novels in a year, and I really want to know their secret. That’s when I remember that the joy is in the writing—published or not, finished or not—and that really helps.
Speaking of getting our books out into the world, do you self-publish?
RH: My first twenty or so books were conventionally published by twelve different publishers, but now I’m my own publisher. I’m actually a trained publishing manager, that’s my career. I’ve worked in many different positions in the publishing industry, so I know the business well, and now I’m using my insider knowledge.
In the 20th century, publishing involved a big capital outlay, and the only way to reach book buyers was through a complex distribution system which only publishers had access to. In those days, self-publishing was almost inevitably doomed to failure, and at huge expense. I used to advise against it.
But the publishing industry has changed to much. With e-books and print-on-demand technology, the once exorbitant production costs have evaporated. Everyone can use online bookselling platforms to make their works available to the book-buying public.
The literary agents and publishing houses, essential parts of the system in the 20th century, have become obsolete. Why should we writers – who mostly earn very little for our work – finance a big publishing apparatus we don’t need, and the salaries of multinational CEOs? Frankly, writers need publishers like they need a tapeworm in their guts.
Of course, you need to be aware that as a self-publishing author, you are a publisher as well as an author. If you want to be successful, you have to approach this as a business. You’re responsible for your own quality control, your own marketing, everything.
DLL: Ooh, great insights on traditional versus self publishing. It’s super helpful to hear from an author who’s been so immersed on both sides.
As promised at the outset, what are your top five tips for writers?
RH: Here you go:
Write the kind of book you’d love to read. This way, you’ll create a great book, and you’ll enjoy the process.
Write about what you know. This way, your won’t commit factual errors, and your book will ring with insight and authenticity.
Use specific weather for every scene – a drizzle or a downpour, dry heat or a thunderstorm – to add realism and vibrancy.
When you experience worries and problems, write about them. They make great fodder for your fiction.
Revise your writing until it sparkles. Don’t be satisfied with good writing. Make it great.
Be authentic. In this world of automation and fakery, people crave authenticity. This is your chance to stand out: instead of automating your social media, using AI for your writing and pretending to be someone you’re not, just be real.
DLL: Fantastic! Thank you for sharing those with us today.
Now, let’s dive into your writer’s life. One of my favorite aspects of your newsletters is the photos and stories about your gardens and pets. It’s clear that you find inspiration in the nature surrounding you. Can you share how these enjoyments help to balance life as a writer?
RH: I love nature, and I’ve created my personal garden paradise – 4000- square meters (that’s about 4800 square yards) filled with trees, shrubs, flowers, vegetables and fruit. It’s all organic, without use of pesticides, my private eco-project, a permaculture ‘food forest’. Bees, bumblebees and butterflies love the place. They flutter and buzz all around me. Sometimes, I see ten or more colourful butterflies in a single square meter (yard). Crickets chirp, birds twitter, storks rattle their bills.
I do my morning exercises amidst this lush abundance, and for breakfast and pick whatever fruit is currently ripe and eat it right away: peaches, nectarines, apricots, figs, plums, apples, pears, mulberries, cherries, pomegranates, grapes and more. This is my personal idea of paradise, and I feel blessed that I’ve been able to create it here in sunny Bulgaria.
I’ve had a writing chair made for me – a sturdy chair made from reclaimed materials, with broad armrests for placing my notebook and a glass of water. I love sitting there in the morning, listening to the sounds of nature and jotting down my ideas and story drafts in a notebook. Often, my cats join me (they love those broad armrests), and my dogs lie at my feet.
I savour these moments with deep gratitude. I’m able to shut out my worries and the troubles of the world, and to focus on joyful creating.
DLL:So much of this shines through in your blogging and newsletter, which is incredibly inspirational to me as a writer and blogger focused on the writer’s life. Thank you for painting such a vivid picture we can immerse ourselves in today.
Besides working in your gardens, what are your favorite activities to inspire your fiction?
RH: I find inspiration in places. Wherever I go, I observe and take notes. What does the place smell of? What sounds can I hear in the background? How does the ground feel underfoot? How does that door knob feel to the touch, what noise does that door make when it opens?
Whenever I have time to kill – at a bus stop, in a hospital waiting room – I use the opportunity to take setting notes.
Over the years, I’ve created detailed descriptions of hundreds of places, and I use can insert them into my fiction. Weather a scene takes place in a hospital, a church, a cemetery or a wildlife park, I have the vibrant details at my fingertips.
Here in Bulgaria, I like to visit places with history: ancient Thracian temples, the remnants of bath houses from the Roman period, deserted factories from the Communist era, and homes abandoned when the rural population dwindled. Each building has so many stories to tell, about the people who lived there, their loves, their sorrows, their dreams.
Those abandoned homes are my favourite spots to hang out to soak up atmosphere and inspiration. Even though the roofs have long collapsed and the window panes are broken, some still have remnants of lace curtains quivering in the breeze, cupboards are filled with dusty jars of canned fruit, and among the upturned furniture and rat-gnawed cushions I may find an old newspaper or an illustrated children’s Bible.
My pets love to accompany me when I explore these places. I’m always glad to have my dogs with me for protection, but it’s the cats who make the visits special. My black cat Sulu in particular adores entering spooky derelict buildings. He delights in walking across shattered roof tiles, scratching charred timbers and sniffing at long-abandoned hearths. Then he chooses a window-sill to lie on, and from there he watches what’s going on inside the house and in the outside world.
DLL: Have you ever thought about vlogging? I would love to follow you on your explorations. Thanks for this glimpse into life in the Bulgarian countryside.
Can you tell us about your cats, and what role they play in your writing?
RH: All my cats are rescues, and I’ve trained them. Yes, cats can be trained – if they want to. Mine love it. They can perform little tricks, shake hands, high-five and more.
When I’m writing on my laptop, the cats often join me. One naps on the rug at my feet, one sits on the printer, another curls up in an open desk drawer, and there’s almost always one snuggling between my arms. This is so sweet!
My senior cat Sulu adores books. Whenever he sees an open book on the table, he lies down to ‘read’ it, with a paw on the page. This makes great publicity photos, because what could be cuter than a black cat reading a Gothic fiction book?
DLL: Thanks again for joining me today, Rayne! Check out Rayne’s craft books here. You can find Rayne and her works on her website, subscribe to her newsletter and blogs, which she shares on Substack, and follow her on Bluesky, Instagram, and Facebook.
My guest and I have been sharing our writing journey for the past couple of years. We chatted on my Spotlight last May with the release of her second book, Hearing Wind.
It’s not often you get an opportunity to meet an online friend and fellow author, and when one comes around, it can be magical, especially when it takes place at Lake Tahoe, where A. B. Herron and her husband recently vacationed.
I am a huge fan of her Elemental Wolf Series and picked up her latest release, Wooden Wolves, to take with me for a signing.
We had a great time exchanging signed books and chatting over lunch in a café with the lake glistening across the highway. As these encounters often go, we barely scratched the surface of everything we wanted to discuss about writing, so I felt a Q&A session was in order, especially since this marks a year since we last chatted on my blog.
Let’s Meet The Author
A.B. Herron grew up pretending to be a wild creature running through the hills of California. Her love of reading is her dad’s fault, introducing her to White Fang, Treasure Island, and Call of the Wild before she could hold a book. Her favorite directive was “read”. Later, when she conquered reading for herself, Herron could be found curled up in her closet, tucked away from reality, riding on horseback, performing magic, and later running with werewolves.
The secret itch to write bloomed in grade school, along with the diagnosis of dyslexia. Professionals told her parents she would struggle with reading, but that information came too late for her to put into practice. However, depositing letters in the right order continues to be a mystery for Herron.
In college, while studying for her BS in Zoology, she started putting pencil to paper and allowed her imagination to bleed out into the real world (so to speak). None of her early attempts found an audience due to her complete refusal to admit to their existence.
Nowadays, Herron splits her time between her dog (well, and husband), her writing, and a full-time job that keeps her firmly rooted in the now, even when her brain whispers “the Mountains are calling…”. Her real-life adventures can be found on Instagram, and her daydreams can be discovered in the Elemental Wolf series on Amazon.
About Wooden Wolves
Becoming a werewolf was supposed to solve his problems.
As it turns out, one needs more than a fur coat to do that.
Tobin barely has time to adjust to his new life before something begins hunting him, and he’s forced to flee Portland for the unclaimed magical territories of Washington. But in those northern wilds, Fey lurk in the forests, and a newly turned werewolf is easy prey.
To survive, Tobin needs to learn fast: what hunts him, how to fight back, and where he belongs in a world where power rules.
The last thing he needs is a distraction, but there is one woman whose scent keeps drawing him closer, making him question his decisions.
Neoma never planned on coming back to her hometown.
Running a bookstore wasn’t part of the dream, and neither was her cranky autoimmune disease. Fighting her overwhelming desire to retreat from the world, she gives connection one more shot. So, when a dangerously handsome stranger invites her into his gaming group, she figures—why not? What’s the worst that could happen? She might actually have some fun?
What she doesn’t know is that some games can change your perception.
Others contain monsters that might change you.
Let’s Get Started
It was fabulous meeting you, Amanda, and what a blast. I started your book when I got home and immediately got hooked. Tell us about your Elemental Wolf series and where it’s at in the scheme of things. What was the inspiration behind it?
ABH: Hello again Darci, and it was so much fun meeting with you in person. I’m still marveling over your own beautiful book that you gifted me; I can’t wait to finish my current read so I can get started on yours. I’m happy to hear you got hooked into Wolves. I have to admit, it is my favorite book in my series currently. Am I allowed to have a favorite when it comes to my book babies?
You ask what inspired the Elemental Wolf series. Honestly, it was during a pretty stressful time in my life, and I was writing short stories for friends as escapism. One friend shared with me a fantasy that they wanted me to put on the page, so I took it, placed it in the Pacific Northwest, rubbed some magic on it, and when I was finished, I looked at it and thought, “There’s a whole book here.”
Jumping ahead, there are now three books in Elemental Wolves, and this new one, Wooden Wolves, is a bit outside the normal timeline for a series. At the end of Watching Water, the first book, I leave a couple of cliff hangers. Hearing Wind, the second book, follows the main character, Nora, on her timeline, but Wolves follows a secondary character, Tobin, on his journey. His story is one that needs to be told, and was supposed to be a short novella to connect his events into Nora’s journey for the upcoming 3rd, now 4th book. As a result, I have Wooden Wolves as book 1.5, and I worry that it will be confusing to readers. However, it gives them the option to read either book, in either order, and they are both happening at the same time. Different storytelling, and I’m hoping it will be well-received.
I will say that I couldn’t be happier with how Wolves turned out, and the secondary main character, Neoma, has a firm place in my heart. She’s strong, feisty, and determined despite the odds against her. I can’t wait to hear what you think of her and Tobin
DLL: Congratulations on your release, Amanda, and way to go. I want to say you fleshed this out and published it in like a year? Tobin is a great character, and I’m excited to be delving into his story. This is your passion story, and it’s coming through in the reading.So yes, there is nothing wrong with authors having a favorite book baby!
I love this cover, the formatting, and your publication mark, all things you’ve been exploring in your publication journey. Can you share some tips and highlights about the process and your resources?
ABH: Awe, I love that you commented on the publication mark. I had to invent this press since this time around I was the full publisher. I had a support team, editor, formatter, cover artist, and an author friend that I kept bugging with questions of “how do I do this?” For the first two books, I used an amazing independent publisher for Indie Authors called Luminare Press. I had no clue how to bring a book to fruition, and they took that stress off my plate and made it happen. They were a gift because I didn’t even know where to start. I had a manuscript and was clueless about what to do next. This was before I got on social media and found the author community. Luminare has a fantastic staff and will make the process easy on you, but that comes at a price point I couldn’t shoulder for this latest book.
Because of the author community and friends like you, Darci, that I have made, I’ve learned a lot more about how to navigate the publishing process and do more of it on my own. An IG friend put me in touch with Becky at Platform house when I was asking how to format. Becky’s an Indie author who does book formatting for other indie authors. She was amazing and budget-friendly. I know I can learn to format, but I was extremely short on time for getting this book to print. I might try to format for the next book, but Becky was worth every cent, and she really made the interior look good.
Now, the cover artist, Ravven (you can look her up just by her name), has been an absolute joy to work with, and her skill speaks for itself. The werewolf howling in the background on Wolves, she made for me when the stock photos she’d found didn’t fit the look I was hoping for. I love what she does, and I keep begging her not to retire before this series is done.
I’m always surprised by how many people a book needs to go through before it ever makes it to print. From the alpha and beta readers to the editors and formatters, this manuscript had more eyes on it than the first two, and it showed. For those who are working on their own stories, my humble advice is to get as many different eyeballs on your manuscript as you can; it will make it better. And find a good editor; they are worth it.
DLL: This is great advice. Thank you! I didn’t even know there were people who offered formatting services. Here is Becky’s website. I also found Ravven’s website, and her work is phenomenal as your gorgeous covers attest. The more eyes, the better, is so true. I’m really happy all this came together so well for you… And that I get to benefit by enjoying a great story.
Where can readers find you and your awesome books in the upcoming months?
ABH: The easy way to find me is to hop on my website www.abherron.com, and there are links to the two places to buy my books online. I’m now in a bookstore in Eugene, Daffodil Books, and will be at four different in-person events throughout Washington and Oregon over the summer. If you sign up for my newsletter, those dates and locations will show up in your inbox, but can also be found on my website.
Thank you so much for having me, Darci. Lunch was a special treat. Somehow, we need to do this again and keep talking about all things writing and books.
DLL: Yes! Meeting you was awesome, Amanda, and it was way too short. I will definitely be looking for a way to get together again.
Thank you for answering just some of the questions that I wanted to ask you at lunch. Do you have any last words of advice for independent authors just getting started?
ABH: My last pieces of advice for new authors are three-fold: 1 – Don’t start your publishing journey with a series, do a stand-alone book first, because you will learn everything you don’t know about the process and how to make it better. 2 – Get connected with other indie authors, it really helps to have people you can ask questions from when you’re feeling lost. 3 – Find a good editor. Seriously, they are worth it, and I can’t stress this enough. I’ll stop there, or I’ll keep sharing all the mistakes I’ve made (and the new ones I’m making) and the hard-won advice I’ve been given. Enjoy the journey, everyone, it’s a wild one.
DLL: Awesome! Thank you! I will leave our readers with a gallery of your fantastic Lake Tahoe photos.
Follow A. B. Herron on Instagram for more amazing photos and the latest on her books.
Born and raised in Massachusetts’ Merrimack Valley, Michael C. Carroll has always loved storytelling. After graduating from Boston College, he moved to Atlanta, Georgia where he teaches and lectures on the epic poetry that inspires his writing. It was not until his master’s program through the Bread Loaf School of English brought him to Oxford University, that Michael knew he had found the story he would spend the rest of his life telling.
In Professor Francis Leneghan’s tea-scented office, Michael began studying the Old English manuscript of Beowulf. That literary exploration led to his thesis that addresses the allegorical significance of the dragon fight that concludes the Anglo-Saxon epic poem. Not long after earning his Master’s degree, Michael began writing Beyond the Fall of Kings, the incredible true story of the war behind the poem of Beowulf.
Currently, Michael lives in Atlanta, Georgia where—when he is not giving lectures on Beowulf—he can be found making dinner for his wife and daughter, coaching his school’s football and swimming teams, and working through his own translation of the Old English Beowulf Manuscript.
Thank you so much for joining me this month, Michael. I’ve really been looking forward to our visit. You’re involved in a lot of things that I want to get into. But first, I’ve been dying to ask you about what it’s like to immerse yourself in the world of Beowulf. I admit I haven’t read it, but I enjoy the cinematic interpretations. I’ve never met anyone who’s made it a life study, especially to the point of mastering Old English. You’re like a modern day bard. We’ll be sharing a couple Instagram video clips of your readings below.
A.I. Art by D. L. LewellynA.I. Art by D. L. LewellynA.I. Art by D. L. Lewellyn
I’ve been studying up on the poem for our discussion. Aside from the significant themes like the warrior code and the cost of adhering to its principles, and what Grendel and his mother might represent in contrast, it fascinates me that this very old tale is steeped in fantasy with witches and dragons, and a good reminder how far back our modern fantasy stories reach for inspiration.
Q: What drew you to the ancient poem? Was it the period of writing, the style, the characters, or the story? Can you elaborate on the elements that interest you the most?
MCC. First off, thank you for all of the kind words! I have been looking forward to this interview ever since you contacted me after reading one of the short stories I wrote a little while back, which I’m sure we’ll talk about in just a bit. I can’t tell you how much I appreciate this opportunity to talk about my writing and the things that inspire me.
Alright, let’s get into it.
I think what first drew me into Beowulf and why I love the story are actually a little different. When I was in high school, I had a phenomenal AP Literature teacher—isn’t that always how these stories start. His name was Jay Pawlyk. As part of our curriculum, Mr. Pawlyk taught the anglo-saxon epic. Oddly enough, I don’t remember much about the story from that first initial read. I remember that the translation that we read was in verse; I believe it was Seamus Heaney’s translation though it’s hard to be sure. I also remember writing an anglo-saxon poem bragging about my abilities playing the guitar hero, and while my attempts at reliving those glory days during the pandemic with that video game were unsuccessful, I do still have my students write a similar assignment.
What I remember most was how much Jay Pawlyk loved the anglo-saxon world that the poem calls home. I remember him explaining how when he was in grad school, he dove head-long into a language he didn’t understand and came out on the other side practically dripping with alliteration and verse and meter. I remember his passion for bringing that world to life in our modern day.
I think in retrospect, now that I teach the poem and have submerged myself in the old English manuscript, those are the aspects that I love the most now as well: the world, the poetry, and the way the poem is still applicable today.
DLL.That is so fantastic-That aspect where you can take a deep dive into history, find literature that is both informative and entertaining and bring it to life in the present. I’ve always envied those who found a way to dedicate their lives to academia, and it is a real treat to get these details from someone who has done it and is happily immersed. This also makes me want to take a class on poetry to expand my skills as a writer.
Q: I’d be thrilled if you could provide a synopsis of your Beowulf-themed thesis on the allegorical significance of dragon flight. Sounds fascinating. What prompted you to pick that subject?
MCC. Of course! The final draft of the thesis was well over a hundred pages, so I promise to keep this as brief as possible. Here’s a synopsis of the poem for those that need a refresher, followed by my hundred-page thesis in a nutshell.
At the start of the epic poem, the title hero travels to the land of the Danes where he kills a monster along with the beast’s mother before traveling home. Then, fifty years pass, and voila, Beowulf somehow finds himself king in the land of the Geats. Finally, after a thief steals a treasure from a fire-breathing dragon, elderly Beowulf fights the poem’s final monster, dies in the process, and dooms the nation he loves to destruction from impending warfare.
Ok, that’s the poem.
My thesis deals with the “voila.” During that fifty year gap, Beowulf and the Geats (the Hretheling dynasty) go to war with the Swedes (the Scylfing dynasty). That historical feud has become known as The Swedish Wars, a five-phased bloodbath that leads to Beowulf ascending the Geat throne.
I argue in my thesis that the dragon fight that claims the life of the title hero allegorically represents that feud, the true, historical cause of the Hretheling demise.
And here’s a little plug…that Swedish War is the exact tale that Beyond the Fall of Kings, the first book in the Sons of Hrethel Trilogy, brings to life.
DLL. Thank you for sharing that! And giving us a peek into your works in progress. An exciting project for sure. It must be a thrill to weave your own epic tale out of a passion for language and history.
Q: Your bio shares how you became interested in studying Old English. But can you talk more about the link between your fascination with Beowulf and its archaic language?
MCC. While I fell in love with the poem when I started teaching it, I only became interested in the Old English manuscript when my master’s program brought me to Oxford University and I had the opportunity to learn from Professor Francis Leneghan, author of The Dynastic Drama of Beowulf. I earned my master’s degree through the Middlebury’s Bread Loaf School of English, which brought me to Oxford in 2019. The class I took with Francis dove into the manuscript, and that was my first introduction into Old English studies.
Now, for some background, I am a huge grammar nerd. In addition to writing, I am also a teacher at a private school that runs from 7th grade through 12th grade. My time in the 8th grade classroom has led to a great love of grammar, right down to the lost art of diagramming sentences. I could talk with you for hours about the difference between gerund and participial phrases and consider it an afternoon well spent. At the same, however, while I know that being passionate about grammar makes me more of an exception rather than the rule as an author, I do think that it makes me a better writer.
For those reasons, I think finding my way into Francis’ office was the perfect storm for me. An epic poem that I knew and loved? Check. A professor equally passionate about an anglo-saxon epic poem? Check. Alliterative structure and epic meter ripe for analysis? Check and Check.
That was when I dove into the murky waters of translating, and I have found that those waters are as tumultuous as they are deep.
DLL.It is so refreshing to hear from a writer who appreciates all things grammar and vocabulary! Editing is often the labor we all want to put off. You’re making me want to take your classes and get back to the basics. But even more than editing is having such an arsenal at your disposal to craft your best story. Like a sculptor with all the best tools to hew out a masterpiece. My background is in office and legal assistance… decades of writing and editing. I was very happy to utilize those tools when I started writing fiction a few years ago. It felt like I had a small leg up. I say small because I had no idea about the amount of growth that lay ahead. You never stop learning!
Enjoy clips of Michael reading Beowulf in Old English borrowed from his Instagram page at the end of our discussion, and follow him for more.
Q: I would also love to hear about what it was like to study at Oxford, to be immersed in a world of academia and a university that encapsulates an entire historic city. What an opportunity and avenue to find your life’s passionate pursuit!
MCC. To say that studying at Oxford was like living out a dream would be an understatement. While I was overseas, I lived in a dorm room on the Lincoln College campus, which is right off of Turl Street. What was even better was the fact that my wife came with me for the summer as well! The memories we made that summer are among those I cherish the most in my life.
Oxford, England is like a writer’s paradise. You turn the corner and see J.R.R Tolkien’s house. You walk the doors of The Eagle and Child pub, and you are greeted by a massive portrait of C.S. Lewis. You take a walk along the river and find yourself staring at the quad where they filmed scenes from the Harry Potter movies. The marks those writers have left are everywhere. The impact they’ve had on literature is everywhere. The air is practically steeped in it.
DLL. That’s exactly how I imagined it! Thank you for sharing your experiences from the inside of such a phenomenal literary mecca!
A.I. Art by D. L. LewellynA.I. Art by D. L. LewellynA.I. Art by D. L. Lewellyn
Q: Do you imagine yourself as an English bard in a past life? Would it have been only in the time of Beowulf? Or are there other periods you see yourself wandering through?
MCC. While I love poetry, I think there’s something unique about Beowulf, and perhaps more specifically, the history behind Beowulf, that I find super fascinating—indeed, more fascinating than any other story I’ve ever encountered.
I talk about this a bit on the Required Reading podcast episode where we discuss Beowulf—another shameless plug—but Francis Leneghan once compared Beowulf to an Anglo-Saxon Forest Gump. I have come to use this comparison every time I begin teaching the poem and any time I’m charged with explaining why I love the poem so much. Really, I bring this comparison up whenever anyone will listen…
Like Forrest Gump, the poem of Beowulf does more than describe a renegade warrior tearing limbs off of monsters in 7th century Scandinavia. The poem of Beowulf is the history of the Anglo-Saxon people. It’s one of the most thorough and complete historical accounts of a group of people in all of literature. For that reason, just as the story of Forrest Gump follows a hero through the Vietnam War, and the Watergate Scandal, and draft riots, the Anglo-Saxon epic follows its hero through the rise and fall of three historical dynasties, countless blood feuds, and a handful of wars that shaped three centuries of human history. The characters and references and mead-hall songs are all entrenched in that captivating history.
For that reason, I don’t think that it’s the time of Beowulf, but rather the history of Beowulf that resides at the heart of my passion for the story.
DLL. Great analogy and glimpse into your classroom! Definitely helps me grasp the impact of how literature can be a window into a period of civilization.
It would be amazing to listen one to of your lectures on Beowulf. What are your key topics? Who gets to avail themselves of your expertise? Only students? Or do you have a broader circuit?
MCC. For the last eight years or so, I have taught Beowulf at the school where I teach. I teach the Seamus Heaney translation because it’s beautiful, approachable, and tells the tale in verse, which I think is an important distinction. Admittedly, there are many scholars who deem the translation “Heaney-Wulf” due to the fact that Heaney was a poet first and a translator a far-and-distant second, but part of what that means for my students is that nearly an entire term of study is dedicated to a single poem, which allows for me to read the poem out loud to them in its entirety. Without a doubt, it is the term I enjoy teaching the most.
To answer your question though, yes, my students are the only ones who must endure my lectures; with that being said, however, I do bring up the poem whenever I can on the Required Reading podcast.
But I will say, for those who are interested, I have begun posting on my Instagram page a series of reflections entitled, “Beowulf Was First” in which I take a look at modern movies, books, and television shows—from How the Grinch Stole Christmas to Disney’s Tangled—that draw inspiration from Beowulf, so feel free to take a look at some of my musings there!
What theme or element from the poem does your audience want to hear about most?
MCC. Every year we have a set of themes that we address with the students that are prevalent: hospitality, identity, legacy, heroism, etc. Sometimes those themes change from year to year, most often they remain essentially the same. But the theme that we always address that seems to gain the most traction is when we discuss the human code.
In class, before we read the first line of the poem, I always have the students write down three codes by which they must abide. At our competitive, private high school, most often those codes end up being their academic honor code, their dress code, and their athletic code of conduct. After giving them some time to muse, write, and share with one another, I introduce the theme of the Human Code, a code by which all Anglo-Saxon people—kings, princes, and warriors alike—abide. It’s a code that dictates everything, how they live, breathe, and ultimately pass on into the Lord’s keeping as the characters so eloquently state in the poem.
I think addressing the human code that way helps to show them that while they might use a different language and wear different clothes and live in a different, albeit much colder, part of the world, the challenges that they face and the morals they use to approach those challenges are not too dissimilar from their own.
DLL. Well. Since I can’t be young again and a student in your class, this was the next best thing. Thanks! And I’m glad you touched on the code. When I delved into the poem for this interview, that was an intriguing element I wanted to explore.
Let’s talk about your work on Beyond the Fall of Kings. It sounds epic. I would love to know about the story itself and your progress and plans for it.
MCC. I know I mentioned this above, but Beyond the Fall of Kings is the untold story of the history behind Beowulf. It’s the first book in The Sons of Hrethel Trilogy that essentially tells the story of the Swedish Wars. The book itself follows three different characters: King Heathcyn of the Hrethelings, King Ongentheow of the Scylfings, and a young warrior named Eofer for the Geat nation.
What I love about the story, and I hope readers love as well, is that it’s historical fiction. These battles really took place. These kings really rose to power. These characters really lived and breathed and in some cases died for their kingdom. I love being able to bring those stories to life.
I did have a manuscript request from an editor for Beyond the Fall of Kings, so the novel is being considered for representation; for more about the texts journey through publication readers can feel free to follow my Instagram page where I release chapter excerpts and publication updates.
DLL. That is amazing news about representation, Michael! Thank you for sharing right here your exciting prospects for this body of work! Your labor of love. Congratulations! I’ll just keep sprinkling your Instagram page around, so our readers can be sure to find you.
I reached out to you for this chat after reading and thoroughly enjoying one of your short stories. I also read it out loud to my husband because I knew he would love it and we got into a great discussion about it. It’s called A Wrong Cruelly Done. It won a place in our Fantasy Sci Fi Writers Alliance anthology in Part I, God vs. Man, and I can’t wait for it to come out in print. After reading it, I really got a sense of your flexibility as a writer. What other projects do you have in the works? And where can we find them?
MCC.A Wrong Cruelly Done was a short story I wrote that, like a great deal of my writing, finds its inspiration in Beowulf. For readers who might be unfamiliar with the story, A Wrong Cruelly Done reimagines Prince Herebeald’s death from the Anglo-Saxon epic in 1970s Northern Ireland. I loved writing that story. It gave me a chance, with Beyond the Fall of Kings in publication limbo, for lack of a better phrase, to keep me writing.
When I submitted the piece for the competition, I sent a message to Eric thanking him for the prompt because it launched me into what has become my current project.
I’m really excited to announce that I’m nearing the completion of a book of short stories! It’s entitled Retold: Eight Short Stories with Roots in Epic Poetry. Like A Wrong Cruelly Done, these short stories reimagine tales from epic poetry in a variety of settings, everywhere from a spy-infiltrated Istanbul to a starship in outer space. I’m hoping to take some time to seek publication opportunities for some of the stories in a few literary magazines before queerying the collection.
DLL. Those stories sound not only awesome but a ton of fun to write. And I can’t wait to read more. Please keep me posted, so I can share your future publications!Visit the Fantasy Sci Fi Writers Alliance and find out more about the short story challenge, which is still in progress.
Besides Beowulf, what other literature or authors have influenced you? Is there a person(s) who has inspired you most?
MCC. Yes, and his name was Brian Jacques.
At a scholastic book fair in second grade, I discovered Brian Jacques’ Redwallseries. For readers who are not familiar with the Redwall books, they are essentially stories about knights in shining armor set in a world of rodents. When I was younger, I read every Redwall book that I could find. I have memories of being in the back seat of the car during long vacation drives devouring those stories of adventure. The first origin story I ever read was Martin, the Warrior, the prequel to the Jacques’ flagship Redwall; I can remember sitting in the public library with tears streaming down my cheeks as I fought through the ending of that book.
When I think about the stories that inspired me, I always come back to Redwall, and for that reason, I owe a tremendous debt of gratitude to Brian Jacques.
Let’s get into the amazing Podcast world of Required Reading. Did you really tell me it’s hitting a million downloads! Wow! I’ve been dipping into quite a few of the episodes because they cover so many books and authors I love. How did it get started and when? Can you tell us about your co-hosts and what your objectives are, who your target audience is? What do you have planned for future episodes?
MCC. Of course! So Required Reading is a podcast that I co-host with a couple of other teachers that I consider both coworkers and friends. We are blessed to have a fully equipped podcasting studio right on our campus, which makes arranging our episodes a little easier. We typically release episodes on the first and the 15th of every month, and the books that we read span everything from graphic novels to Shakespearean classics.
While our conversations bring us in a myriad of different directions, we center our discussions around what it means to read and teach great literature.
Dr. Nic Hoffman and Mr. Mike Burns are the other co-hosts, and oftentimes, we will feature a guest who is somehow affiliated with the text—they are a fan or scholar of the author, they recommended the text for an episode, they wrote their master’s thesis or doctoral dissertation on the material, etc.
And yes, the last I heard from Nic, Required Reading was on pace for a million episode downloads, which is both crazy and exciting.
You can find us on Spotify, the apple podcast app, or wherever else you listen!
DLL. Awesome. Thanks, Michael, and congratulations to all of you on your growing platform.
Now I’d like to touch on your life as a creator. With so many pursuits, how do you balance it all with family? What are your tips on staying organized and getting things done, while finding time to relax?
MCC. I wish I had a good answer for you on this one. I think that this really is the hardest part: balance. I teach full time for a living, and on top of those courses, I’m also the head 7th grade football coach, the head middle school swimming coach, and an assistant coach on the varsity diving team. Before all that, though, I’m a husband to my amazing wife, Katherine and a father to our beautiful daughter. Finding time for writing, seeking representation for publishing, and keeping up with things like continued features and posts online is hard. Really hard.
I can’t say that this works for everyone, but I will say what has worked for me. Every Sunday afternoon, my wife and I talk through the upcoming week. I use that time to create the “To Do List” of papers that need grading, cars that need oil changes, meals that need cooking, and everything in between. It might seem exhausting, and sometimes it is, but at the bottom of every “To Do List” I write “Continue Writing Retold” or “Keep Writing BTFOK” or “Continue WIP.” Amidst all the craziness of life, I have found that keeping that on my to do list always keeps my writing on the table. It feels like a treat when I finish a stack of papers, and I can carve out a few hours here and there to do some writing. For me, it also keeps writing as a passion that I look forward to rather than work that simply needs completing.
Lastly, though, I love to cook, and I have found that to be an excellent outlet when things pile up.
DLL. Ah… the power of making lists. This is a great tip!And so is having a dedicated hobby. Highly recommended!
Do you have a favorite creative space? How do you prepare your environment, so you can be your most productive? Any routines or tips you’d like to share?
MCC. I write a lot at work. Sometimes that means in my classroom. Sometimes that means in the library surrounded by students and books. Sometimes that means at my desk in the English Department.
I tend to be quite social when it comes to my work. Not with sharing it, mind you—I still have a great deal of work to do on that front—but I like being around people when I work. Nothing beats a rustic coffee shop with a bold dark roast, packed tables providing a little white noise, and a nice scone.
Of course, that’s the dream, but that’s not always the reality. These days, when I finally sit down to write, the coffee has gone cold and there’s a monitor next to my keyboard that could break me from my trance any second. I think it’s beautiful in its own way, though.
DLL. I love it!
What do your kids think about Old English and history? Any like-minded scholars following in your footsteps?
MCC. Well, I don’t know how many students really love Anglo-Saxon epic poetry, but I do think that there are some who are interested in the history. In class, we talk a great deal about the code by which the characters in the poem abide. I think some of the lessons that the students gravitate towards the most tend to be the lessons that bring the poem to the students where they are.
For that reason, I have kept Jay Pawlyk’s Anglo-Saxon boast assignment alive. I think they really start to understand the verse and meter when they write to imitate the poem themselves, bragging about everything from brushing their teeth to tying their shoes. Whenever the lecture veers toward something they encounter in their teenage lives, the poem takes on a new light.
I will say that in addition to lecturing on Beowulf, I also teach a Creative Writing elective at the school where I work, so while there might not be many budding Old English scholars, maybe there will be a new author who hits the writing scene in a few years who I taught in class; if they start talking about their crazy high school teacher who would wear an Anglo-Saxon war helmet when reading about the title hero’s clash with Grendel, you’ll know who they’re talking about!
DLL.Oh yeah! I’ll be looking out for those writers for sure. LOL
Thank you again for spending time with me this week and sharing a day in the life of a writer, podcaster, and Beowulf and Old English scholar. It was epic, just as expected! Do you have any parting words of advice for our readers who want to follow similar passions?
MCC. If I had one word of advice, I think it would be to focus on the story. After all, as a writer that’s our most valuable currency. I know it can be difficult, especially when entering the scary world of agents, publishers, editors, social media, and challenges that await around the corner that I can barely pronounce or understand, but I think by focusing on the story that you want to tell, that story that keeps you up at night when you’re lying in bed, that story that gives you chills when you’re stopped at a red light because you can feel deep down in your bones that it needs to be told, if you focus on that story, and telling that story the best that you can, as passionately as you can, not somebody else’s way, but your way, I think the rest will take care of itself.
By D. L. Lewellyn 