The nice steady slow beat where I can breathe and experience satisfaction in my handiwork. I hate to call it escape. Maybe “living” captures the time spent moving colorful silks and cotton through fabric with a needle.
I’m hoping some of my enjoyment will flow into the universe, and you’ll catch the vibe. (See the start of this series, and some of my beautiful stitching this past couple of weeks, in my previous post, and feel free to share your creative outlets.)
Not one fictional word written in two weeks… Wait, what?! But it’s true, and I’m doing okay. Hmmm… My pod people are quiet in my head. Maybe they needed a vacation, too.
So, instead of books and writing, I’m sharing my craft projects, old, and yes! New! I’ve caught the bug again after watching “Flosstube” videos with all the wonderful designs being shown off. I have tons of stash to dive into, but naturally I’m missing certain colors, which leads to retail therapy… Yes! Another benefit of embracing this surprising whiplash turn in my daily life. Somehow, writing doesn’t spark the same need to buy as other crafts do… but that’s a blog for another day.
Retail Therapy
A tiny sample of favorite shops: 123Stitch.com for DMC and Weeks Dye Works floss, Etsy (so much cross stitching!) for patterns and specialty floss, and other items like these gorgeous project bags. My favorite goth pattern designer is The Witchy Stitcher for the eerie and quirky. My favorite fabrics come from BeStitchMe.com
The most exciting part of this birthday month adventure has been kitting up for new starts. Check out these designs I purchased after watching too many enablers on FlossTube. (That’s my excuse and I’m sticking to it.) I’ve made significant starts in “Greenhouse of Oddities,” “Cats and Cocoa,” and “I Like Cross Stitch.” I even started an old pattern from my stash, “Single Step” by Stichrovia.
Single Step by Stitchrovia (had in my stash and wanted to start forever)Summer Gothic Sampler by The House of CamA Graveyard Wander by The Witchy StitcherA Stitcher Haunts Here by The Witchy SticherBooks are Magic by Counting PuddlesWinter Flower Bird by Nathnolu (got all four seasons)
My progress… on the first three above.
Cats and Cocoa also on 16 ct Aida, Sugar Cookie (don’t remeber the dyer)Greenhouse of Oddities, and the gorgeous fabric by BeStitchMe, 16 ct Aida, PeanutGreenhouse of Oddities (stitching in SAL sections, starting top center)On 16 Ct Aida from Hand-dyed by Rolanda
Today, the last day in February to round out my record craze, I’m starting “I Like Cross Stitch” and this Stitch Along (SAL), “Tapestry of Twelve,” from the Spring Just Cross Stitch Magazine by multiple designers. You can borrow the magazine issues from Amazon’s Kindle Unlimited. The top left corner is part one of four. I bought the called-for Weeks Dye Works overdyed floss. Gorgeous!
Rescuing Old Stitchworks Languishing in a Box
I recycled hallway picture frames, and now I get to enjoy these.
Stitcher’s House by Stone Street StitchworksFrankenstein for The Stitching Bookclub (SBC) Walkin’ on Sunshine by Luhu Stitches
I’ve touched over a dozen old WIPs (works in progress) in February, including restarting three – all those old problems that made me hide them away and forget about them. I totally got inspired to patiently frog out stitches or toss out the disliked fabric or fabric I measured incorrectly, and show them some love. The first of my three restarts was in my previous post, but I’ll add it here as well.
Old (sad face) Garden Stroll by Carolyn Manning (design free with Sulky Thread Pack)Garden Stroll – New startOld (absolutely no room for the entire design. Oops! Fresh Picked Evergreens by Petal Pusher (came with specialty floss)New (started in the corner this time)And… I finished the free pattern that came with it!A tiny finish! Isn’t she pretty?
And this beloved project, Keiko Sato Sampler by Twin Peak Primitives, started in November 2020, is also on fabric a bit too small, but I love the color with the stamped leaves, and decided to make it work. So, I stitched all night on the berry out to the black border, and part of the crane to see how close I would be to the edge of the fabric. Less than an inch! But I’ll make it.
Keiko Sato Sampler by Twin Peak Primitives
Another Finish!
Check out this gorgeous reproduction sampler, stitched in 1857 by Jane Marshall, a 10-year-old Australian girl. I pulled out the band I was working on (her name) because the color just wasn’t working, and then I couldn’t stop stitching. The silk floss came from my stash, featuring a gorgeous variegated silk called Fairy Quilt Crossing. The pattern was free from Hands Across the Sea Samplers in support of the Aussie fires in January 2020. Many designers contributed patterns, and I stitched three, two I finished in 2020.
It’s getting harder to see all the events on this planet that make life overwhelming at best and genuinely depressing at worst. We’ve been re-watching Reacher. Lee Child’s stories effectively depict (in their dramatic and violent way) the human condition and the terrible things people who abandon their humanity can do to others.
They give us an exciting, larger-than-life hero who courageously seeks justice, often inspiring those he meets along the way to stand up to oppressors. Yet, they remind us that it’s okay not to fix every problem, but to do what we can for the ones close to home.
My sister and I both got diagnosed with cancer this year. We started chemo a day apart, and we lost our hair at the same rate. We experience bad days and good days in different ways, and we share our journeys weekly. I mention this because, while we share a lot, we are two very different people, and so are our choices about dealing with the world as we fight our personal battle.
It’s interesting how, when you’re caught up in survival, you begin to contemplate the meaning of life and your place in it, even as your attention narrows to your own physical struggle. I guess it’s natural for some to focus on what they can control and let the things beyond their control blur into the background.
For me, I can disappear into my writing, rewrite the world in speculative fiction. I can listen to my Cake radio station on Pandora (my adored hometown band) while I exercise, or watch the rare good entertainment like Reacher with my hubby while I knit. I’m very grateful for that.
Others do the opposite. Their personal struggle becomes less significant as they take a stand against the unsolvable and march with other brave people.
Despite my efforts at mindfulness and inner peace, events like the terrible mass shooting at a casino a couple of days ago bring chaos crashing back, and I grieve for the world, feeling helpless alongside my neighbors.
That’s when I look up. I’ve been doing that a lot lately. Northern Nevada skies are always inspiring and soothing to the soul, reminding me how tiny and insignificant events on this planet are in the grand scheme of things. Gazing up, away from the chaos on the ground, lets me just be.
No worries as the sinking sun paints the sky until the stars come out. The answers are up there, and someday I’ll understand.
Have you ever shared intimacy with a fly? One of those surreal encounters where you were in communion with an entity five hundred times smaller than yourself who seemed to look you in the eye? A tiny being who showed interest in what was on your mind, maybe even hoping you wanted to know what was on his.
My fly might have been attracted to me because I’d been sitting all day in one spot blending into my surroundings, typing away on my keyboard. This big ole beauty hung out with me the whole time, landing on my desk, walking over my pens and notebook, sort of mellow, like he had nothing better to do. It’s that time of year when flies go from frenetic to mellow and back to frenetic in their final hours. This fly picked me for his last hoorah.
About every hour, he would lift off and zoom around my head for at least fifteen minutes straight, even bonking me once or twice. I must have ignored him too long. I would forget about him, only to be distracted from writing when I caught his movement out of the corner of my eye. He buzzed occasionally to remind me he was there as he meandered behind my pencil cup, across my glass of water, and along my phone.
He bounced off my forehead for the last time about an hour ago. I didn’t mean it, but my reflexes had me swatting at him and we collided. I haven’t seen him since, and now I’m sad.
I am aware that we have a whole month to go until fall starts. But it’s my favorite time of year, so I get a little excited about this time in August, especially as the heat finally got knocked down yesterday by some lovely (albeit blustery windy) rainy weather.
That meant it was a day for binge-watching Hitchcock movies featuring Grace Kelly (thank you TCM) and working on an old Diamond Painting WIP that keeps calling me from my craft table. Three years and nearly 65% finished! Ouch.
Yes, that’s what happened to my avid crafting after I discovered the joy of writing fiction. But I manage to have days like this on occasion when I bring out my dozens of cross stitch, knitting, and crochet WIPS and enjoy Audible or TCM while I craft away. Those days increase in the fall because well, the days get cozier for couch potatoes like me.
Still, my pod people (aka my story characters who I like to say were seeded in my brain by aliens because what else explains their takeover) are with me. Some kicking back and relaxing like I am, some hatching their next scenes or new chapters, and many clamoring for a finish. If the truth be told, these days of mindful crafting unleash my pod people like nothing else can. I just need to keep reminding myself to take these breaks from writing their stories.
Our brains are a remarkable thing.
What’s your favorite time of year or way to relax?
D.I could talk all day about your teaching and how wonderful you are at motivating and supporting those around you. That is my experience with you, Audrey. But this is my opportunity to dig into what motivates you. What gets your creative juices flowing?
A. Whether I’m putting a new class together as an art teacher, or working on an art piece for myself, I’m motivated by different things. As a teacher, it’s the desire to get my students excited about a new project, a new technique, a new medium, new tools, etc. that motivates me. Knowing that people are growing as artists and becoming more confident in their ability is what drives me to create classes.
I start with a project that interests me and one in which I feel there will be lots of learning opportunities. I create the piece of art that I will teach probably 6 or 7 or more times in different ways in order to find the one I think will be a real “WOW” for the students as well as which one will present the best learning opportunities. I also want to pinpoint specific areas that will perhaps be more difficult to learn so that I can begin to think about how I will teach them. This entire process so far is what gets my juices flowing and excites me. Now I have to create the class and the detailed and structured lesson plan my students deserve!
When creating art for myself there are a number of different things that get my creative juices flowing. The main thing that keeps me motivated is that I LOVE what I do and that’s probably the most important thing of all. Other things that excite me are ideas from my journal that I want to try out. Keeping a journal of things I see, hear, learn, and want to pursue is an invaluable tool. Learning and trying new things is also a huge motivator for me. So, I take lots of classes. And no matter the topic of the class, I find it usually helps me refine a skill, take a new approach, reinvent a technique, and just fall in love all over again with what I do.
I have a very close friend who is an accomplished silk painter and when we’re together we bounce new ideas off each other and support each other. If I’m stuck or she’s stuck, we try to ‘unstick” each other. We definitely find ways to get each other’s juices flowing! It usually involves a LOT of laughter. Laughter is a HUGE part of my life. And so is music. I find it both inspirational and motivating. So, you can rest assured there’s music on when I’m working in my studio.
Taking a long walk is also a huge help if my creative juices need some stirring up. I’ve learned that sometimes I just need to get out of my chair and do something different that I enjoy. And I’m always amazed at how many “Eureka!” moments happen during some sort of relaxation activity that gives me pleasure.
D. Zentangle inspired art is what I’m most familiar with in your body of work. And we will talk more about that style in a bit. But you incorporate so much more into your pieces. Have you always pursued art? Did you start out on another career path? If so, what made you change? How were you able to focus your life on art and what types of events crafted your unique style?
A. I have been creating “stuff” and making “messes” since I was five years old, using whatever materials I could find! I do the same thing today, but now it’s called Mixed Media Art. LOL! I am inspired by playing with color and layering and fascinated by texture. I always have been! However, none of my formal education focused on the visual arts. I have a BA degree in Communication Arts and Science and an MA in Human Resources Management and Development.
I needed to earn a living and support myself and felt that creating art wouldn’t allow me to do that, so I focused on a career in Human Resources. And what a wonderful and exciting career I had. I zeroed in on the training and development aspect of human resources and did a lot of motivational speaking, as well. Eventually I started my own training and development business. I did a lot of team building for organizations, management development, and taught teachers how to teach. Throughout my professional career, I used my spare time to create art (collages, jewelry, greeting cards, etc.); after all, this was my passion. And I sold my art at juried craft shows. I also took lots of art classes. I promised myself that when I retired, I would transition into a full-time artist
D. Who and/or what were your biggest influences?
A. A wonderful and talented artist in New York, who I took classes from on a regular basis, was a huge influence on me. She encouraged my mixed media work and I learned so much from her. In fact, she was the one who encouraged me to become a Certified Zentangle Teacher. She felt that as an artist, I would love to incorporate Zentangle into my work. And she knew how much I loved teaching.
D. What made you decide to bring the joy of art to others?
A. As a breast cancer patient, the positive effects that Zentangle had for me as I experienced the anxiety, tough decision making, sleeplessness, etc. associated with this disease, was a strong force in my wanting to share it with others. I learned firsthand what a meditative and calming process Zentangle could be. I found it particularly helpful when I went for my radiation treatments. I would sit in the waiting room and “tangle” like crazy in my journal so by the time they called me in for my “dose” I was truly relaxed. I remember years later I had a student in one of my Zentangle classes who had been in that waiting room with me (her husband was receiving radiation) and at the time she wondered what the heck that red headed woman was so enthusiastically doing in her notebook! She learned that it was me tangling. At any rate I, both the artist and cancer patient, wanted to bring this magical and beautiful art form to others. Whether my students chose to use it as a meditative tool too or simply to create art and find joy would be up to them. But as a cancer survivor I truly felt compelled to share it with everyone who was interested. I am a big believer in “paying it forward.” So, as an artist I have used teaching art as a way of giving back the joy, the serenity, the magic, and the creative inspiration that art continues to give me!
Enjoy this TEDx demonstration of the power of Audrey’s motivational speaking.
D. Now let’s peace out and get a little more Zen.
There are so many benefits to learning and engaging in the art of Zentangle. And I for one really appreciate that you were there to pass them on to me. The meditative aspect, portability, minimal supplies needed, and ability for anyone to produce a piece of art after one lesson are just a few. What are the most important aspects of Zentangle for you from the perspectives of a practitioner and a teacher?
A. As a practitioner, I love that Zentangle can be incorporated into practically any other art form!! Whether it’s pottery, quilting, painting with any medium, jewelry, etc. As an artist, I find this very exciting; being able to have this tool in your kit no matter what your discipline. As a teacher, I love that Zentangle allows everyone to be successful and tap into their creativity. Additionally, it’s an art form where folks are encouraged not to be self-critical or judgmental, but rather to enjoy the process.
D. I remember my first class so well. Zentangle 101. We were in the fabulous old Brewery Art Center’s ballroom. The class was full, and you had a margarita bar set up. I was hooked before we even got started. But when the night was over, and I had several tiny pieces of art I could call my own that I could hardly fathom were created by my own hand, I was a believer in the method.
Zentangle 101, September 2015
More classes at the BAC
You have been teaching folks like me for a long time, adapting to Zoom like a pro during the Pandemic, and constantly producing exciting projects for your students. I will miss those sessions now that you’re moving on to your next artistic stage, but so grateful for the wealth of memories and skills you instilled in me, and I’m thrilled you can spend your hard-earned time pursuing your passion.
Tell us what’s next for you. What projects do you have in the works, or are you just going to let the creativity flow?
A. I am returning to the mixed media aspect of my art. I miss that. And I am looking forward to letting the “creativity flow” without the schedule and discipline associated with teaching. Here’s a photo of a mixed media piece I’m working on now. It’s a combination of collage and acrylic paints).
D. Thanks so much for that glimpse into your studio and a sunny piece of beautiful art!Let me take the opportunity to share more art you have generously provided for our chat.
D. On this note, one of the things I love to discover about creators is what kind of space they utilize for inspiration. Are there any secrets you would like to pass on about creating the perfect studio, environment, or mood? Do you have a special time of day or a process in addition to a place that helps you be your most creative?
A. Okay, not really a secret :-), but for me two important things one should make sure they have is good lighting and storage space. Even if your funds are limited… Just google “creating storage space in my art studio” and you’ll find tons of very creative, inexpensive, and wonderful ideas for storing your supplies. You want to be able to find things when you need them and have a workspace that you can clear up when starting a new project. Insofar as lighting is concerned, watch for sales at the craft stores (on-line too) for Ott Lites. An Ott Lite provides a precise balance of contrast and brightness that allows you to see details clearly and colors accurately. Other light sources can create harsh glares, distortions, and eye fatigue. An Ott Lite is like having natural daylight indoors!
Most importantly, make your studio space your own! I like to be surrounded by things that are important to me, which is why I have a cozy spot on the floor for Sophie, my fur baby!! Also visible in my studio are mementos, photos, artwork, quotations, etc. that inspire me or hold a special meaning. In terms of time of day, process, place when I am most creative, I don’t have specific ones. If I have a deadline for something, well, that obviously helps! :-).My MO is to go into my studio every day to do something… and if the creative juices just aren’t flowing I go and do something completely different. I’ve learned not to angst over it. Rather, I will make the most of whatever else I decide to do… whether it’s: take a walk, physical activity, read a book, cook, whatever. And I will enjoy what I’ve chosen to do!
I’ve discovered that making sure you put joy into your life is important to me as an artist.
D. Where can our readers follow your progress? Any upcoming art shows or plans to that effect?
A. I’m just getting started and have plans to turn my current Zentangle blog into one that will showcase my art as well as any shows, etc. I plan to exhibit a couple of my pieces at the next judged show being held on January 1 at the Nevada Artists Association in Carson City.
D. Thank you so much for visiting with me, Audrey! Do you have any parting advice for our readers who want to pursue their creative passions, art, or Zentangle?
A. Just do it! Jump in! It’s easy to find distractions and reasons not to pursue your passions. Taking action will help you get started. Making that first brushstroke will help you begin to paint away and remove those blocks that are getting in the way.
The most important thing: LOVE what you do! And remember what Rumi said,
“Inside you is an artist you don’t know about.”
So, go discover her or him!
All artwork by Audrey Markowitz. If you share, please give credit to the artist.
Below are examples of Audrey’s traditional Zentangle tiles, using the Zentangle method of creating corner dots on a square tile and connecting them into a frame or border divided by “strings” that you can fill in with repeated tangles (doodles).
The Zentangle® method was created by Rick Roberts and Maria Thomas. Zentangle® is a registered trademark of Zentangle, Inc. Learn more at: www.zentangle.com
This month’s guest spotlight will focus on the creative process and the mindful art of doodling (otherwise known as the Zentangle method), which was passed on to me by my friend and artist, Audrey Markowitz.
Audrey, a great teacher and unflagging motivator, will be joining me on Sunday, December 18. Stop by and find out how easy it is to put down a bit of ink on paper in a mindful way that helps get those creative juices flowing. In fact, Audrey will be talking about how she accomplished that in her everyday life.
I thought I’d gather and share a few of my past creations inspired by Audrey during so many amazing classes over the years. Zentangle is super easy to learn, perfect for creating a piece of art with few supplies, just a few lessons, and in a short time… all while being immensely satisfying and relaxing. There are no mistakes! If you can doodle, you can Zentangle. If your hand leads your pen in a direction you didn’t expect, all the better! Mostly, you can use it to unclutter the mind, and restart that imagination.
If you Zentangle or do other arts or crafts to relax and unclutter the brain, I’d love to hear about it in the comments. Happy creating!
Can’t have a complete art journal without adding a spread about my teacher.
By D. L. Lewellyn 