Last December I shared an inspiring chat in the world of art with my friend and artist Audrey Markowitz. Since then, she launched a new website and got busy creating a whole new portfolio of mixed media art sensations. Let’s check back in for some inspiration.
Thanks for dropping by my blog Audrey! I can’t believe it has been a year. I’ve been watching your collection of stunning pieces grow and wanted an opportunity to check in and find out what this past year has brought you.
Can you share the highlights?
AM. It’s been an awesome year! Created a website: audreysmixedmedia.com; had a wonderful first show at the Silver State Art Festival where I sold a number of pieces; and had the opportunity to go to Santa Fe, New Mexico, and take a 3-day abstract painting workshop.
I also just found out that one of my pieces “Birdwatching 101” was selected to appear in the Depot Gallery of the Sierra Art Foundation’s “Mixed Matched, Made Whole!” exhibit in January. This exhibit runs from January 6th through January 28th. Gallery hours are Friday-Sundays 12 to 5. And there will be a reception for the artists on January 20th from 1 to 4 pm. (Photo of the piece on the next page.)
DLL. This is charming and so fun to delve into. I love the quote, and I wonder who is watching whom? I’m so exited you have an art show this month! I can’t wait.
I’ve learned that each decade brings new growth to my creativity. You’re my model for that and it’s a theme in your teaching. This last year had you transition from teaching art to focusing on your personal creativity. Has it gone as you expected, or brought even more surprises?
AM. It has gone even better than I expected. I discovered a joy and happiness in creating art I have never experienced! Mixed media is definitely my calling: Here are a couple that I will bring to my shows next year.
I took a couple of months to study and experiment with abstract painting when I went to Santa Fe and worked with an amazing abstract painter and teacher. I have found that abstract art liberates the artist from traditional norms and encourages one to play with color and texture and shape in different ways. It has invited me to break away from the limitations of realism, where my own individuality and personal expression can thrive. As Dr. Eric Kandel explains, abstract art challenges our brains to create our own explanations, thereby stimulating higher-level areas of the brain that are responsible for imagination and creativity. The process increases our tolerance for less familiar and even completely alien situations, making us more flexible. I wonder if my husband would agree that I’m more flexible!
Here are a few abstract paintings that are part of my Andromeda Series:
DLL. This is exactly the thing you instilled in me. Never quit learning! I’m thrilled you had this experience and brought it home to take flight. Lovely, lovely pieces. Mixed media is my favorite way to express art as well because of the endless possibilities and combinations of mediums. I’m happy to say the same for writing fantasy romance.
I can picture you smiling in your studio, lost in your art. You had an opportunity to build a new creative space this year. What improvements have you made, what’s different or the same, and how much has it played a part in your productivity and satisfaction?
AM. I have improved the lighting in my studio over my easel. And I continue acquiring more art supplies (if possible!!) I think the wonderful space I have created for myself plays a huge part in my productivity and satisfaction. It’s definitely my “happy place!”
DLL. I’m happy just looking at it! Especially when your fluffy sweet studio pal is in residence!
Part of your experience this year has been attending shows. Can you give us the highlights? And what’s coming up / planned for next year?
AM. As I wanted to build up a body of work, I participated in one show this year. It was the Silver State Art Show at Fuji park. As it was my first, I didn’t know if I’d even sell one painting. As it turned out, I sold 4! One of the highlights was the sale of one of my favorites, “Big Hugs!” It’s a 24” x 24” piece.
Next year I plan to do three different shows (One of them being the Silver State…). I will announce these shows on my website when I solidify my participation.
DLL. Fantastic! Congratulations on the success of your first show.
There are so many wonderful pieces for sale on your website. And I’ve watched so many more being sold. Has this also met your expectations, or exceeded it?
AM. Yes, website sales have exceeded my expectations. In fact, I need to add more paintings and make some cosmetic changes which will separate the pages by type of art and pieces sold. It’s starting to get crowded!
DLL. That is so inspiring to hear. Congratulations again!
Do you have any plans to return to teaching? Can I put a plug in here for at least one class a year? 😄
AM. LOL! I have been asked by a number of you wonderful people, (who I miss dearly) if I would maybe do one class a year! I am thinking about some sort of mixed media class!
DLL. That is exactly what I hoped you’d say. Yay!
Thank you so much for visiting, Audrey!! All the best to you in the next year and I can’t wait to see your next body of work.
You can follow Audrey’s work, support her art, and join her community on her website and Facebook page.
The best New Year to all of you and thank you for visiting!
As a dedicated student of arts and crafts since I could hold a crayon, May is a special month. It’s Mermay! An entire month dedicated to mermaid art.
Since I write more than engage in any other creative activity these days, I’m offering a short story, Beneath the Prismed Light, in celebration. It features a selkie (another wonderful mythical sea creature) and a lighthouse keeper in a romantic dystopian fantasy. A brief history of the selkies is included in the end pages.
This story, with its surprise twist on the lore, is free to my newsletter subscribers. This month I’m sharing it here.
The center photo is one of my attempts at Mermay art, and I had fun trying some digital manipulation for different effects.
If you want to peruse some (much better) whimsical, fun art, hashtag Mermay or Mermay25 on Instagram or Facebook.
My friend, author J. K. Divia, is offering a Mermay, Selkie Takeover giveaway in collaboration with other authors. I participated last year, and will do so again in 2026. Check it out and good luck on winning some great books and swag.
I’ll leave you with a YouTube video from one of my favorite Mermay contributors, although I’m pretty sure mixed media artist James Burke creates mermaids all year long.
I have all of his Washi tape and use it liberally in my journals. Perhaps you’ll discover the wonder of watching this art come to life and be inspired to create some of your own.
May in the high desert is a crap shoot. Will it be hot? Will it be cold? Will there be snow on the mountain top? Will a freeze crush all the blooming plants? Will I need my allergy medicine? This May, all of that is happening and more.
I love my home environment for that very reason. You never know what kind of day it will be when you wake up. Roll the dice and get any combination of the above-mentioned scenarios in one day! That’s exciting in my book. If I take a walk in the morning, I might need a jacket and will see my breath in front of my face. If I walk at noon, I’ll need a hat and sunglasses to guard against the hot sun while I inhale all the wonderful-smelling natural blooms. If I walk in the afternoon, the high winds will push me and the huge puffy clouds along for the ride, and I’m back in my jacket.
The high today was 58, the low 36–Fahrenheit. But the sun is oh so warm… until the wind blows. We had snow last weekend. No one in my 5,000-foot elevation valley plants anything until June.
Views from my place
May brings other things to enjoy besides the mercurial weather. It’s MerMay for one. I love checking out the creative output during MerMay and have been doing so for the last five years, ever since I got embroiled in my mixed media phase of life. It’s primarily about sketching and art, but we writers get inspired too.
At the end of the month, I’m participating with five indie authors in a MerMay Selkie Take Over giveaway. You can follow me on Instagram if you would like to participate. We’ll be posting the event instructions and the drawing results. There’s more about the event and selkies in my May newsletter going out soon.
What’s MerMay you ask? A Disney creator back in 2016 posted an illustration of two mermaids chatting on their “shell phones” and the craze was born. Every May, artists follow daily prompts to draw something mermaid-inspired throughout the month. Check out MerMay.com and this NPR piece for the scoop.
Here is my MerMay gift to you. It’s humble, I know, but she’s sort of cute. She was inspired by a class at Willowing.org and has lived in an art journals for a while now. I recently ran her through a couple digital backgrounds (side images. I know… duh) to explore color alternatives.
My other big happening coming up is a pet sitting gig. I don’t pet sit for just anyone. Okay, so I only have one client–because I adore her dogs–and it’s like going on vacation–and when they do what they do the cutest, which is sleep side by side, it even becomes a writing retreat.
Meet Bully brothers Mack and Elway. They’re actually quite active a good portion of the day, but I love listening to them snore. Can’t you hear it?
D.I could talk all day about your teaching and how wonderful you are at motivating and supporting those around you. That is my experience with you, Audrey. But this is my opportunity to dig into what motivates you. What gets your creative juices flowing?
A. Whether I’m putting a new class together as an art teacher, or working on an art piece for myself, I’m motivated by different things. As a teacher, it’s the desire to get my students excited about a new project, a new technique, a new medium, new tools, etc. that motivates me. Knowing that people are growing as artists and becoming more confident in their ability is what drives me to create classes.
I start with a project that interests me and one in which I feel there will be lots of learning opportunities. I create the piece of art that I will teach probably 6 or 7 or more times in different ways in order to find the one I think will be a real “WOW” for the students as well as which one will present the best learning opportunities. I also want to pinpoint specific areas that will perhaps be more difficult to learn so that I can begin to think about how I will teach them. This entire process so far is what gets my juices flowing and excites me. Now I have to create the class and the detailed and structured lesson plan my students deserve!
When creating art for myself there are a number of different things that get my creative juices flowing. The main thing that keeps me motivated is that I LOVE what I do and that’s probably the most important thing of all. Other things that excite me are ideas from my journal that I want to try out. Keeping a journal of things I see, hear, learn, and want to pursue is an invaluable tool. Learning and trying new things is also a huge motivator for me. So, I take lots of classes. And no matter the topic of the class, I find it usually helps me refine a skill, take a new approach, reinvent a technique, and just fall in love all over again with what I do.
I have a very close friend who is an accomplished silk painter and when we’re together we bounce new ideas off each other and support each other. If I’m stuck or she’s stuck, we try to ‘unstick” each other. We definitely find ways to get each other’s juices flowing! It usually involves a LOT of laughter. Laughter is a HUGE part of my life. And so is music. I find it both inspirational and motivating. So, you can rest assured there’s music on when I’m working in my studio.
Taking a long walk is also a huge help if my creative juices need some stirring up. I’ve learned that sometimes I just need to get out of my chair and do something different that I enjoy. And I’m always amazed at how many “Eureka!” moments happen during some sort of relaxation activity that gives me pleasure.
D. Zentangle inspired art is what I’m most familiar with in your body of work. And we will talk more about that style in a bit. But you incorporate so much more into your pieces. Have you always pursued art? Did you start out on another career path? If so, what made you change? How were you able to focus your life on art and what types of events crafted your unique style?
A. I have been creating “stuff” and making “messes” since I was five years old, using whatever materials I could find! I do the same thing today, but now it’s called Mixed Media Art. LOL! I am inspired by playing with color and layering and fascinated by texture. I always have been! However, none of my formal education focused on the visual arts. I have a BA degree in Communication Arts and Science and an MA in Human Resources Management and Development.
I needed to earn a living and support myself and felt that creating art wouldn’t allow me to do that, so I focused on a career in Human Resources. And what a wonderful and exciting career I had. I zeroed in on the training and development aspect of human resources and did a lot of motivational speaking, as well. Eventually I started my own training and development business. I did a lot of team building for organizations, management development, and taught teachers how to teach. Throughout my professional career, I used my spare time to create art (collages, jewelry, greeting cards, etc.); after all, this was my passion. And I sold my art at juried craft shows. I also took lots of art classes. I promised myself that when I retired, I would transition into a full-time artist
D. Who and/or what were your biggest influences?
A. A wonderful and talented artist in New York, who I took classes from on a regular basis, was a huge influence on me. She encouraged my mixed media work and I learned so much from her. In fact, she was the one who encouraged me to become a Certified Zentangle Teacher. She felt that as an artist, I would love to incorporate Zentangle into my work. And she knew how much I loved teaching.
D. What made you decide to bring the joy of art to others?
A. As a breast cancer patient, the positive effects that Zentangle had for me as I experienced the anxiety, tough decision making, sleeplessness, etc. associated with this disease, was a strong force in my wanting to share it with others. I learned firsthand what a meditative and calming process Zentangle could be. I found it particularly helpful when I went for my radiation treatments. I would sit in the waiting room and “tangle” like crazy in my journal so by the time they called me in for my “dose” I was truly relaxed. I remember years later I had a student in one of my Zentangle classes who had been in that waiting room with me (her husband was receiving radiation) and at the time she wondered what the heck that red headed woman was so enthusiastically doing in her notebook! She learned that it was me tangling. At any rate I, both the artist and cancer patient, wanted to bring this magical and beautiful art form to others. Whether my students chose to use it as a meditative tool too or simply to create art and find joy would be up to them. But as a cancer survivor I truly felt compelled to share it with everyone who was interested. I am a big believer in “paying it forward.” So, as an artist I have used teaching art as a way of giving back the joy, the serenity, the magic, and the creative inspiration that art continues to give me!
Enjoy this TEDx demonstration of the power of Audrey’s motivational speaking.
D. Now let’s peace out and get a little more Zen.
There are so many benefits to learning and engaging in the art of Zentangle. And I for one really appreciate that you were there to pass them on to me. The meditative aspect, portability, minimal supplies needed, and ability for anyone to produce a piece of art after one lesson are just a few. What are the most important aspects of Zentangle for you from the perspectives of a practitioner and a teacher?
A. As a practitioner, I love that Zentangle can be incorporated into practically any other art form!! Whether it’s pottery, quilting, painting with any medium, jewelry, etc. As an artist, I find this very exciting; being able to have this tool in your kit no matter what your discipline. As a teacher, I love that Zentangle allows everyone to be successful and tap into their creativity. Additionally, it’s an art form where folks are encouraged not to be self-critical or judgmental, but rather to enjoy the process.
D. I remember my first class so well. Zentangle 101. We were in the fabulous old Brewery Art Center’s ballroom. The class was full, and you had a margarita bar set up. I was hooked before we even got started. But when the night was over, and I had several tiny pieces of art I could call my own that I could hardly fathom were created by my own hand, I was a believer in the method.
Zentangle 101, September 2015
More classes at the BAC
You have been teaching folks like me for a long time, adapting to Zoom like a pro during the Pandemic, and constantly producing exciting projects for your students. I will miss those sessions now that you’re moving on to your next artistic stage, but so grateful for the wealth of memories and skills you instilled in me, and I’m thrilled you can spend your hard-earned time pursuing your passion.
Tell us what’s next for you. What projects do you have in the works, or are you just going to let the creativity flow?
A. I am returning to the mixed media aspect of my art. I miss that. And I am looking forward to letting the “creativity flow” without the schedule and discipline associated with teaching. Here’s a photo of a mixed media piece I’m working on now. It’s a combination of collage and acrylic paints).
D. Thanks so much for that glimpse into your studio and a sunny piece of beautiful art!Let me take the opportunity to share more art you have generously provided for our chat.
D. On this note, one of the things I love to discover about creators is what kind of space they utilize for inspiration. Are there any secrets you would like to pass on about creating the perfect studio, environment, or mood? Do you have a special time of day or a process in addition to a place that helps you be your most creative?
A. Okay, not really a secret :-), but for me two important things one should make sure they have is good lighting and storage space. Even if your funds are limited… Just google “creating storage space in my art studio” and you’ll find tons of very creative, inexpensive, and wonderful ideas for storing your supplies. You want to be able to find things when you need them and have a workspace that you can clear up when starting a new project. Insofar as lighting is concerned, watch for sales at the craft stores (on-line too) for Ott Lites. An Ott Lite provides a precise balance of contrast and brightness that allows you to see details clearly and colors accurately. Other light sources can create harsh glares, distortions, and eye fatigue. An Ott Lite is like having natural daylight indoors!
Most importantly, make your studio space your own! I like to be surrounded by things that are important to me, which is why I have a cozy spot on the floor for Sophie, my fur baby!! Also visible in my studio are mementos, photos, artwork, quotations, etc. that inspire me or hold a special meaning. In terms of time of day, process, place when I am most creative, I don’t have specific ones. If I have a deadline for something, well, that obviously helps! :-).My MO is to go into my studio every day to do something… and if the creative juices just aren’t flowing I go and do something completely different. I’ve learned not to angst over it. Rather, I will make the most of whatever else I decide to do… whether it’s: take a walk, physical activity, read a book, cook, whatever. And I will enjoy what I’ve chosen to do!
I’ve discovered that making sure you put joy into your life is important to me as an artist.
D. Where can our readers follow your progress? Any upcoming art shows or plans to that effect?
A. I’m just getting started and have plans to turn my current Zentangle blog into one that will showcase my art as well as any shows, etc. I plan to exhibit a couple of my pieces at the next judged show being held on January 1 at the Nevada Artists Association in Carson City.
D. Thank you so much for visiting with me, Audrey! Do you have any parting advice for our readers who want to pursue their creative passions, art, or Zentangle?
A. Just do it! Jump in! It’s easy to find distractions and reasons not to pursue your passions. Taking action will help you get started. Making that first brushstroke will help you begin to paint away and remove those blocks that are getting in the way.
The most important thing: LOVE what you do! And remember what Rumi said,
“Inside you is an artist you don’t know about.”
So, go discover her or him!
All artwork by Audrey Markowitz. If you share, please give credit to the artist.
Below are examples of Audrey’s traditional Zentangle tiles, using the Zentangle method of creating corner dots on a square tile and connecting them into a frame or border divided by “strings” that you can fill in with repeated tangles (doodles).
The Zentangle® method was created by Rick Roberts and Maria Thomas. Zentangle® is a registered trademark of Zentangle, Inc. Learn more at: www.zentangle.com